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Nous avons appris cette danse en cadeau à nos correspondants écossais pour le jour de leur St Andrew !

Muhteşem Çerkes Düğünleri, <br />En iyi Çerkes Düğünleri, <br />En güzel Çerkes düğünleri

LUCIANO @ Kama Kama 19-12-2009 - video 5.mp4<br/>Need new shirts ? http://ahshirts.com<br/>Need new shirts ? http://ahshirts.com<br/>

Samsun BKD Shafitng Müzik Grubu

Ürdün diasporası Çerkesleri ve dil eğitimi

MAHALLI SHESEN

"Kanalımızı büyütmek ve bize destek olmak için lütfen ADIGA TR isimli kanalımıza üye olun. Siz de bizimle birlikte olun ve en yeni içeriklerimizi kaçırmayın!"

"Please subscribe to our channel named ADIGA TR to grow our channel and support us. Be with us and don't miss our latest content!"

#shorts #adiga #çerkes #kafkas #lezginka #maikop #нальчик #kavkaz #circassian #adige

День черкесского флага - Заира Дышекова.

Çerkes bayrağı günü - Zaira Dyshekova.

Адыгэ Ныпым и Маф - ДышIэкI Заира.

#адыгэ #circassians #çerkes #черкесы

A documentary about the history of Circassian in Kabarday language
Cerkezlerin tarihi belgeseli-Kabardeyce
Die Geschichte der Tscherkessen auf Kabardinisch

Mr. Adel Bashqawi gives a short summary of the Circassians' efforts to preserve national identity and how technology and especially the Internet helped with this.

Mark Will and Tomek discuss the Caucasus region of Russia, the etymology of Caucasian, the Circassians as an ethnic group, and related issues in this clip from "Travel in the Time of Genocide," a "special emergency edition" of Texting: A Podcast for Textual Deviants

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#Texting #Caucasus #Russia #Circassians

Genç Çerkesler Çerkes sürgünü üzerine konuşuyor.

The Circassian Cultural Institute presents Dr. Mitat Celikpala. In his lecture Dr. Celikpala discusses Turkish National policy toward the North Caucasus, the Circassian Diaspora and what the future might hold.

Mitat Çelikpala is Associate Professor of International Relations at TOBB Economy and Technology University, Ankara/Turkey. Çelikpala has been working on the Caucasus, Caucasian Diaspora, people and security in the Caucasus and the Black Sea regions and Turkish-Russian relations. Before joining the academia, he served for Turkish National Security Council. Currently he is lecturing in TOBB ETU, War College and Turkish National Security Academy on Turkish foreign policy, politics and history of the Caucasus and Central Asia, and Turkish political structure and political life. He is academic adviser to National Security Academy, Turkish MFA's Strategic Research Center and TAF's Strategic Research Center (SAREM), Ankara. He is the author of many publications dealing with above mentioned topics published in academic journals as well as newspapers.

The choreography performed by the Ensemble of Kabardinka is a collection of various Circassian dance figures and influenced by the Western Adyghe tribes Ubykh, Natukhay and Shapsug who once used to populate the Black Sea coasts of the Northwest Caucasus for thousands of years with their Abkhazian cousins before they were completely exiled from the region by Russian Empire in 1864. They lost more than three quarters of their populations during the Circassian Exile. The aggression and the later actions against the native people of the region by Russian Empire are considered the first modern systematic genocide by many historians and it was a role model for later genocides committed by different countries around the world although the only country officially recognizing it is Georgia. Today most of Circassians live outside of their native homelands scattering around the world. As a result Ubykh language went completely extinct in 90's and other ethnic groups/languages are waiting for the same fate.

There are many ancient elements during the performance reflecting some of the very old rituals of Circassians. The Circassian Circle is an important symbol and its origin goes back to the old Pagan culture. There were relics or sometimes a tree representing the Deities in the center of the circle in earlier times. Circassians would dance around the relics singing songs and hymns specific to the ritual's theme like funeral, wedding, harvesting, holy days, etc. The dancing area was accepted as a holy place and no one could enter without permission. The Hatiyago/Ceguako (the solo dancer who has a ritualistic stick) is portrayed as one of its earliest forms and has complete control over the ceremony like an ancient priest. Every dancer/member of the community should obey the Hatiyago's directives to take place the ceremony properly.

Nowadays this character has significantly changed from its origins mostly because of Islamic influences, although is still an important part of Circassian weddings. Today they generally act as a supervisor/organizer in the weddings, but in ancient times their missions were much more than that. They supervised important ceremonies like weddings as it's today but also they had a vital mission to represent and carry anything related to Circassian society, like traditions, music, songs, mythology and history to the next generations. They were the living memories of Circassians who had only oral lore.

All rights belong to Kabardinka.

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The Circassian Spirit, No. 2 · Ahmad Ai

Circassia 2009-2019

℗ 2021 Ahmad Ai

Released on: 2021-01-22

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