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#dertlitürküler #uzunhava #karışıktürküler #damartürküler <br /><br />Anlamlı Bir Klip : https://www.dailymotion.com/video/x87de7y<br /><br />Uzun Havalar : https://www.dailymotion.com/video/x87deey<br /><br />Hüzünlü Fon Müzikleri : https://www.dailymotion.com/video/x87df3c<br /><br />Müthiş Bir Yorum | Dağlarına Dargınım : https://www.dailymotion.com/partner/x2mh3pp/media/video/edit/x87dq4p<br /><br />İnsanın İçini Yakan Bir Uzun Hava | Kesintisiz Uzun Hava :<br />https://dai.ly/x87eht0<br /><br />Çerkes Türküsü | Ağlatan Qafe | Hüzünlendiren Müzikler Serisi | Adige Qafe | Circassian Crying CAFE : https://www.dailymotion.com/partner/x2mh3pp/media/video/edit/x87ehdg<br />
התיישבות הצ'רקסים ברמת הגולן. סקירת הכפרים הצ'רקסים.
Circassians settlement in the Golan Heights. Review of the Circassian villages.
تسوية الشراكسة في هضبة الجولان. استعراض القرى الشركسية.
Golan Tepeleri'nde Çerkesler yerleşim.Çerkes köylerin incelemesi.
Черкесы поселение на Голанских высотах. Обзор черкесских деревень.
IRINA BALKAROVA (ИРИНА БАЛКАРОВА) - NYSE (НЫСЭ)
http://www.facebook.com/UeredWored
This Black Music Month, Tiny Desk is giving the ladies their flowers. We’re releasing nine Tiny Desk concerts from Black women artists, from veterans who’ve paved the way for what we hear today in Black music, to those who are carving out their own paths.
Bobby Carter | June 28, 2024
We conclude 2024’s Black Music Month celebration at the Tiny Desk with the catalyst for the all-female lineup, SWV. Year after year, I’ve begged who I consider the greatest girl group ever to come play the Desk. Like the other Black women we’ve hosted this month, SWV has yet to receive the proper acknowledgment for its influence over the past three decades. There was a moment, similar to the sing-along portion of Chaka Khan’s show, when Coko, Taj and Lelee were taken aback while the audience kept the party going after the band stopped playing “I’m So Into You.”
Sisters With Voices originated in the church before the group started recording R&B music. It broke through in the 1990s, a decade that was the pinnacle of girl groups. In a landscape including En Vogue, TLC, Xscape and dozens more, SWV remained in front of the pack, topping the charts, amassing gold and platinum plaques and breaking new ground in music, style and sexual liberation. Before playing “You’re The One,” Lelee introduced the song, reminding us that they “kinda took a beating for the team because our music was a little risqué.”
As a new appreciation for ’90s R&B has emerged over the past several years, SWV has reigned supreme. Watching the audience sway and sing to songs like “Weak” and “Rain,” I’m reminded of the lasting quality of SWV that continues to connect us.
SET LIST
“I'm So Into You”
“Right Here (Human Nature Radio Mix)”
“You're the One”
“You're Always On My Mind”
“Rain”
“Weak”
“Anything (Old Skool Radio Version)”
MUSICIANS
Coko: vocals
Taj: vocals
Lelee: vocals
E. Will: keys, musical direction
Shago Elizondo: guitar
CJ Mercer: bass
Toussaint Lipton II: drums
Curtis Jones Jr.: trombone
Theljion Allen: trumpet
Brent Birckhead: saxophone
Anisa Stoot: vocals
Donisha Berryman: vocals
Jayye Michael: vocals
DaNell Daymon: vocals
TINY DESK TEAM
Producer: Bobby Carter
Director/Editor: Joshua Bryant
Audio Technical Director: Josephine Nyounai
Videographers: Joshua Bryant, Maia Stern, Kara Frame, Alanté Serene
Audio Engineer: Valentina Rodriguez Sanchez
Production Assistant: Ashley Pointer
Photographer: Estefania Mitre
Animation: Jackie Lay
Florist: Kelanda Edwards
Tiny Desk Copy Editor: Hazel Cills
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins
#nprmusic #tinydesk #swv
To have an English translation for the video (just click on the Captions button) under the clip
التقرير الخاص بلقاء جلالة الملك عبد الثاني مع أعضاء المجلس العشائري الشركسي والذي عقد بتاريخ 27/6/2011 والذي أكد فيه جلالة الملك على دور الشراكسة في بناء الأردن جنباً إلى جنب مع إخوانهم الأردنيين من كافة الأصول والمنابت
His Majesty the King Abdullah II meeting with the Circassians Elders Council and said that Circassians contributed a great deal to the development of the country from the establishment of the state and they, like members of other minorities, are consulted on the steps taken to shape its future.
This Video is about raising awareness for two historical events: the Circassian Genocide that took place in the 19th century, and the ongoing conflict in Ukraine. The Video emphasizes the importance of remembering and honoring the victims of these events, and of showing solidarity with those who are still suffering as a result of violence and injustice. The video also highlights the similarities between the two events, reminding us that the fight for peace and justice is ongoing, and that we must remain vigilant to ensure that such atrocities never happen again. The overall goal of the video is to call for greater recognition of these events, and to inspire action in support of those who have been affected by violence and injustice.
English 00:00
Arabic 01:43
Turkish 03:39
Russian 05:25
Ukrainian 07:21
During the revival of nature, the spirits first return to the air, then water and lastly, to the earth, with a week in between each. It is celebrated in the Spring Equinox the day that the spirits return to the earth, in the name of Sozeresh, besides Tkhashkho. It is accepted as the end of Winter and the beginning of Summer in the Circassian Solar calendar. It is both a familial and communal holiday.
His idol, the seven-branched hawthorn was kept in the granaries of the homesteads. On the evening of the day before the Vernal Equinox, the members approach the granary. The daughter-in-law of the household would enter the granary and lock the door. She would then light the seven candles affixed on the branches of the idol, herself facing east. The senior male member of the house would call out to the Golden Rider: “Sozeresh, open the doors and let us in!” She would then go in and fetch the idol, open the doors and bring it in front of the family hearth with cheer and music from the others. It would be placed erect, its seven branches adorned with seven candles and a wheel of smoked Circassian cheese attached in the centre. The members of the household then would join hands around the idol and the matron of the family or the eldest daughter would make the prayer:
Sozeresh!
We thank you for the harvest of the Summer,
We beseech you to give us bountiful harvest in the future,
We beseech you, Sozeresh,
To protect our harvest from theft and our barn from fire!
The next ritual is called Masch’oshkhatykh (МашӀошхьэтыхь) “The Hearth Sacrifice”, which is held in each and every household simultaneously right after the extraction of the Sozeresh’s idol. The feasting began after the immolation of a black cow or black ram or black hen depending on the wealth of the family in the consecrated hearth, after which the Tkhamade would line up along with the members of the household by the hearth and voice the prayer and raises a toast, concluding the ritual:
With lasting fire in our hearth,
And well-lit and hot stoves,
Lacking no victuals to boil,
Nor crops to cook,
May Tkhashkho see us through next year!
The next phase is the feast, during which all sorts of food and drink are served throughout the night, and games are played to pass the time. This is to prevent oneself from falling asleep, for it is an ill omen and bad luck to slumber during this auspicious night. Before dawn, all able-bodied attendants would go to a nearby body of water such as a river or a stream and wash, no matter how cold the water may be, hardening their bodies and tempering their souls.
After coming out of the water, drying and warming themselves, people would gather in the sacred grove. They would tie colourful ribbons on the branches of the elder oak, naming their wish with the tightening of the knot. At dawn, everyone would face the east and greet the sun. The Tkhamade, with a bowl of bakhsym in one hand and a cheese pie in the other, would make a prayer:
O’ New Year’s light,
Enter out homes bringing happiness and goodness with you!
May disease and misfortune bypass us
A peaceful sky shine over us,
And our hearth be full of food,
And everything that your heart desires is in our hands!
Let's say “Amin” so that the coming year will be happy for all of us!
Throughout the following two days after the day of Vernal Equinox, relatives and neighbours would begin visiting one another to vocalise their wishes for them. The visitors would not recite the cliche wishes such as health, abundance, wealth, et cetera but directly name things that the members of the household lack and very much like to have. This was done by first asking for the thing or things from the host that they know they don’t have, to which the host replies saying that they would have never refused to serve the things that they ask for had they had them in the first place, and so the guests express their wishes.
Khurome (Хъуромэ) is an originally pagan holiday practise, later adapted into Christianity and celebrated on the 7th of January as the Orthodox Christmas. It seems as though Khurome normally was a continuation of the New Year celebrations, done during the second and/or third day of the three-day holiday, in which elders would parade the settlement, announcing their toasts, while the young collect food from doors while singing praises and wishes of abundance and health.
Households would donate their food generously, as the deed would soothe the troubled souls of the deceased, also because the year to come would be exiguous for the stingy. After the completion of these parades, the groups would convene in a designated place to cook and eat the food.
At the end of the three days, the idol of Sozeresh would then be taken back to the granary, where it would rest until the next year’s celebrations.
The day after, adults would begin a fast that lasts for forty-eight days, abstaining from meat and eggs.
Source: Khabzist Paganism © 2023 Forge of Tlepsh Digital Art Workshop
Deities associated with sacred forests transformed and evolved according to different historical eras. It is believed that the main original forest deity was Mezguasche (Forest-lady). Mezguasche was responsible for the forest and fauna.
ARTICLE: https://www.ayurvedajournals.c....om/article/zaina-el-
This video is all about the indigenous languages of the Caucasus region, including the Kartvelian, Northeast Caucasian, and Northwest Caucasian language families.
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Special thanks to the following people for their language samples and feedback: David Gagnidze (Georgian); Sana Patuash, Apsha Rustam, and Asa Nash (Adyghe/Circassian).
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Creative Commons images:
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Adiga Wedding Videos
Da tempo volevo insegnare questa danza a lezione, dovendo aspettare ancora a lungo prima di poterlo fare ho approfittato della reclusione per danzarla in prima persona. Il Circassian Circle è una danza tradizionale che si trova in molti manuali dell'Ottocento. Le varianti sono molteplici ma si assomigliano tutte. In particolare mi affascina questa versione, descritta dal Maestro Thomas Hillgrove nel suo manuale pubblicato a New York nel 1857. Curiosamente nella riedizione del medesimo manuale dell'anno successivo questa danza è stata eliminata.
La particolarità di questo manuale rispetto agli altri è che dà la descrizione precisa di dieci diverse sequenze (dieci! esatto) che chiama "figure". Quindi ci siamo divertiti a farle tutte quante, una dietro all'altra.
Ho fatto la scelta di danzarla "alla scozzese" quindi con la tecnica di passi e figure della RSCDS: anche se probabilmente non è la scelta storicamente più esatta, è sicuramente quella che preferisco stilisticamente; ballare il Circassian con una musica francese o camminando sono entrambe ozpioni deprimenti...
Ovviamente essendo solo due coppie nella progressione abbiamo dovuto aggiungere una curva per poterci nuovamente fronteggiare: l'originale prevederebbe di proseguire dritto incontrando la coppia successiva.
Infine notare come la versione ufficiale dell'RSCDS (il Circassian è la terza danza che l'RSCDS ha pubblicato, dopo Petronella e Triumph, quindi anche l'RSCDS ha attribuito a questa danza grande valore tradizionale) ha come progressione la Poussette, che non è presente in nessuna di queste 10 sequenze!
#maledettovirustisconfiggeremo
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Since long time I wanted to teach this dance in class, having to wait a lot before I could do it, I took advantage of the lockdown to dance it in first person. Circassian Circle is a traditional dance present in many 19th century dance manuals. The variations are many but they all look similar. In particular I am fascinated by this version, described by M° Thomas Hillgrove in his manual published in 1857 in New York. Curiously in the re-edition of the same manual of the following year this dance has been eliminated.
The peculiarity of this manual compared to the others is that it gives an exact description of ten different sequences (ten! Exactly) that he call "figures". So we had fun doing them all, one behind the other.
I made the choice to dance in "Scottish way" with the RSCDS technique for steps and formations: although it is probably not the most historically exact choice, it is certainly the one I prefer stylistically; dancing the Circassian with French music or walking it are both depressing.
Obviously being only two couples in the progression we had to add a curve to face each other again: the original says to continue forward to meet a new couple.
Finally note how the official version of the RSCDS (the Circassian is the third dance that the RSCDS has published, after Petronella and Triumph, therefore the RSCDS itself has attributed it great tradition) has the Poussette as progression, which is not present in any of these 10 sequences!
#damnvirustwewilldefeatyou
Adiga
We will never forget
يوم الحداد الشركسي
Asalet ve Nezaketin Timsali Çerkesler
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How do you train your brain? It loves to learn, and that includes the skills you'll need to solve a sudoku, a Rubik's cube or crack a riddle. Here's a portion of riddles to challenge your brain.
#brightside #riddles
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