LOREENA MCKENNITT INTERVIEW
(THE ADYGHE DOCUMENTARY - ADİGE BELGESELİ*)

Loreena McKennitt, belgeselde Kelt kökenli olması ve köklerindeki gizemi araması, Kafkasya'ya olan ilgisi ve Kafkasya ile ilgili ünlü bestesinin oluşum sürecini anlatmaktadır:

"...Ailem Kelt kökenli. Keltlerin, millattan 500 sene öncesine dayanan Orta Asya ve Avrupa'dan gelen küçük kabileler olduğunu öğrendim. Ben bunu öğrendiğim zaman, daha da ileri gitmek istedim.

Aslında Çerkes insanını tam olarak tanımıyorum. Sanırım, herbirimizin içinde geçmişimizi anlamak ve daha fazla öğrenmeye yönelik bir eğilim ve bunu anlamanın bizim gelişimimiz için ne kadar önemli olduğu düşüncesi var. Bütün bunlar beni bu deneyimin ve bu beste çalışmanın içine çekti..."

NIGHT RIDE ACROSS THE CAUCASUS

Ride on Through the night Ride on
Ride on Through the night Ride on

There are visions, there are memories
There are echoes of thundering hooves
There are fires, there is laughter
There's the sound of a thousand doves

In the velvet of the darkness
By the silhouette of silent trees
They are watching, they are waiting
They are witnessing life's mysteries

Cascading stars on the slumbering hills
They are dancing as far as the sea
Riding o'er the land, you can feel its gentle hand
Leading on to its destiny

Take me with you on this journey
Where the boundaries of time are now tossed
In cathedrals of the forest
In the words of the tongues now lost

Find the answers, ask the questions
Find the roots of an ancient tree
Take me dancing, take me singing
I'll ride on till the moon meets the sea

Loreena McKennitt
The Book Of Secrets - Night Ride Across The Caucasus

SÜR ATINI GECENİN İÇİNDEN
(KAFKASYA'YI GECELEYİN BOYDAN BOYA GEÇERKEN)

Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.

Karanlığın kadife örtüsü,
Sessiz ağaçların belirsiz görüntüsü...
Durmuş bakıyorlar.
Ki, yaşamın gizine ermiş sessiz tanıklar onlar

Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.

Mahmur tepelerde balkıyan yıldızlar,
Raks ederek, ta denize dökülüyorlar.
Sen, atını koştururken dörtnala ülkende,
Onun yumuşak eli hep üzerinde.
Nereye gidersen git,
Çizer kaderini de.

Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.

Beni de al, beni de al gezine,
Götür beni de zamanın ötesine.
Sözcükler yitip gitti,
Sığındı sesler orman mabedine.

Yanıtlar bul, sorular sor.
Ulaş köklerine o antik ağacın,
Al götür beni danslara, şarkılara
Süreceğim atımı denizin Ay'la buluştuğu ufuklara...

Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.

Loreena McKennitt
The Book Of Secrets - Night Ride Across The Caucasus
Çeviren: Çetin Öner

(*) Adige Belgeseli, Prens Ali'nin, Ürdün'den başlayıp, Suriye ve Türkiye'deki Çerkeslerin yoğun olarak bulunduğu yerlerden geçerek Karadeniz'e, oradan da Kuzey Kafkasya'ya varışını konu alıyor. Filmde, anavatanları dışında yaşayan Çerkeslerin koşulları, asimile olma sınırına gelişleri, kimlik, dil ve kültürlerini kaybetme tehlikesiyle karşılaşmaları da işleniyor.

Belgeselin tamamını izlemek için:

Bölüm-1: http://youtu.be/tsqfSgDo95I
Bölüm-2: http://youtu.be/MyPpkpZwOgY

“I think Biden, he fell off a cliff last night. He can’t quit lying.”

Georgia voters react to President Biden’s performance during the CNN Presidential Debate.

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Música do disco Boca da Terra, da banda Sacassaia.

DOWNLOAD DO DISCO em WAV:
https://archive.org/download/S....acassaiaBocaDaTerra/

DOWNLOAD DO DISCO em MP3:
https://archive.org/download/S....acassaiaBocaDaTerra/

Eram três moças bonitas
que foram a praia passear

Uma era Oxum, outra Iansã
e a outra era Yemanjá

Transistor ligado, potência no jeito
Tudo pronto. Fique sintonizado
No baticum invocado que deixa todo mundo tonto
Cheio de assunto cada um aumenta o ponto
No ibope do rádio.
Suingue estilo infarte agudo do miocárdio
Temperado com pimenta e cloreto de sódio
Pole position no pódio qualquer dia
Assombrando seu vídeo.
Com mais uma transmissão inclusiva
De vibração positiva.
Propriedade intelectual coletiva no ouvido
Samba de som destruído, grapixo, throw-up,
Estampido, estupendo na arte de rua
Sacassaia é massa, gandaia na sua praça
Animando seu espaço, construindo passo a passo
Eu falo, eu faço. Rap eu conheço, rima tem seu preço
Transmite paz, vontade de correr atrás.
Quer mais? tem pra todo mundo:
Roda pick-up, comanda o escape do ataque
Do baticum retumbante e profundo
Nos quatro cantos do mundo
Quero levar o meu bloco
Aprimoro a ciência
Pela experiência que eu troco
O gás que eu coloco,
o ponto que eu toco
A gente faz tendo a paz como foco.
Venha!

Um chip flutua na praia
Levando mensagem de Yemanjá
Um gênio na lata de cerva
Na beira do mar

Batida que a vida segura
Balança a rede, coração
Maré mansa não cansa
Criança não é mole não

Já paguei mico, já paguei sapo
Pra gestapo, prestação
Filho, não aperte o gatilho
Nem perca a razão

Pelourinho não é folclore
Não ignore esse sofrer
No mundo tem paz, tem guerra
Para se escolher

Dizeres desertos, mares abertos
Despacho futurista pra turista viajar

Acarajé fritando, comida sobrando
Incenso queimando, quibebe no aguidá

Quimbundo quilombo, Xangô xequerê
Do roncó se ouve o toque de rumpilê

Oxalá disse que o amor vai vencer
Obatalá viu como eu quero te ver

Um coração latindo,
latindo na lata do menino
Do menino, do menino, do menino
Do menino, ui, oha o menino ui ui ui

Dizeres desertos, Mares abertos
Despacho futurista pra turista viajar

Acarajé fritando, comida sobrando
Incenso queimando, quibebe no aguidá

Quimbundo quilombo, Xangô xequerê
Do roncó se ouve o toque de rumpilê

Oxalá disse que o amor vai vencer
Obatalá viu como eu quero te ver

Um chip flutua na praia
Levando mensagem de Yemanjá
Um gênio na lata de cerva
Na beira do mar

Batida que a vida segura
Balança a rede, coração
Maré mansa não cansa
Criança não é mole não

Já paguei mico, já paguei sapo
Pra gestapo, prestação
Filho, não aperte o gatilho
Nem perca a razão

Pelourinho não é folclore
Não ignore esse sofrer
No mundo tem paz, tem guerra
Para se escolher


Música - Tomás Seferin
Letra - Renato Matos e Gabriel Reis
Voz - Renato Matos, Gabriel Reis e Renata Jambeiro
Cornet - Moisés Alves
Congas - Edinho Silva

Produção musical, gravação e mixagem: Tomás Seferin, Estúdio 104, Brasília
Masterização: Michael Fossenkemper, Turtletone Studio NYC
Coordenação de produção: Ludmilla Valejo
Fotos: Schietti Fotografia
Assitente de fotógrafo: Pedro Lacerda
Direção de arte para as fotografías: Raísa Azeredo
Assistência de produção para as fotografías: Anne Barreira
Projeto gráfico: Bruna Daibert
Produzido entre abril de 2013 e junho de 2014

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Çerkes Soykırımı ve Sürgünü’nün 156. yıl dönümüne özel olarak başlattığımız canlı yayın programlarımızın sonuncusunu diasporanın en köklü sivil toplum örgütlerinden olan İstanbul Kafkas Kültür Derneği başkanı Şogen Ümit Dinçer ile gerçekleştireceğiz. Diaspora olarak 21 Mayıs’lara bakış açımız, söylemlerimiz ve 21 Mayıs’ların geleceğinin konuşulacağı ve 21 Mayıs haftası boyunca yapılan tüm etkinliklerle ilgili kapsamlı bir değerlendirmenin yapılacağı “156. Yılında Çerkes Soykırımı ve Sürgünü: 21 Mayıs Süreci, Söylemler ve Değerlendirmeler” konulu canlı yayınımız 31 Mayıs Pazar akşamı 21.00’de Youtube kanalımızdan gerçekleştirilecektir. İlgilenen herkesin katılımını bekliyoruz.

Moderatör: Bislan Jalouqa

Adyghe Folk

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Circassian beauties, or Moss-haired girls as they were sometimes known, reflect a curious legacy of racial stereotyping and sexual titillation. Racial theories of the mid 19th century held that the people living in the Circassian mountains near the Black Sea were examples of the purest stock of the Caucasian race. Legend had it that the Circassians produced the worlds most beautiful white women, who were consequently in great demand for the harems of Turkish sultans.








The long shadow of slavery can also be discerned in this hybrid depiction. American audiences were both intrigued and horrified, given their false association of slavery with Africans, by the fact that Circassian women were among the most sought-after concubines in the Sultans harem - hence the need to make them appear somewhat African. Both African slaves and Circassian slaves were subject to sexual exploitation and this is the point of contact that played so powerfully on white Americans imagination, wrote philosophy professor Gregory Fried.


0:00 - Intro




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Circassian beauty or Adyghe beauty is a stereotype and a belief referring to the women of the Circassian people. A fairly extensive literary history suggests that Circassian women were thought to be unusually beautiful and attractive, spirited, smart and elegant, and as such were desirable (although most Circassians refuse to marry non-Circassians, a requirement of Adyghe Xabze). A similar yet smaller literature also exists for Circassian men, who were thought to be especially handsome.

Documentary film “The Man from Psibe Village” on the Circassian settlement of Psibe in Shapsughia in westernmost Circassia, made in 1972.

Director: Gennady Kraskov
Operator: Yuri Musatov
Produced by: Rostov Newsreel Studio
Year: 1972

The film is about the work of the rural postman X’useyn Achmiz (Ацумыжъ), a resident of the Circassian village of Psebe (Псыбэ [Psibe], in Circassian), “in the Adigean Autonomous Oblast”. It depicts the life in a (Shapsugh) Circassian village in the early 1970s. Although the village Psebe is billed as being in the Adigean Autonomous Oblast, it is actually in the Shapsugh Region, to the north of the town of Tuapse. Psibe (Псыбэ) literally means “Water Abundant” in Circassian. It has a population of a few hundreds, mainly Circassians. The number of villagers has been decreasing in the past few decades.

It is hoped that the Shapsugh Region would be joined to the Republic of Adigea for the benefit of both the Adigeans and Shapsugh. Adigea would then have access to the Black Sea, and the Shapsugh would benefit from the Circassian language and culture institutions in Adigea, which would stem the rising tide of assimilation.

Scenes:

• Postman X’useyn Achmiz travels with his horse across the Shapsugh countryside. He knows every nook and cranny in this ancient land of the Shapsugh Circassians.
• View of the Psibe village in the Shapsugh Region (in westernmost Circassia).
• The postman goes through the village, handing out letters and telegrams to villagers.
• The villagers are dancing, talking.
• Pioneers lay flowers at the monument to those killed in the Great Patriotic War (World War II).
• New-born baby is blessed by the elders, in accordance with ancient Circassian customs.
• Postman Achmiz takes part in “sch’ihafi” [«шIыхьафы»], an ancient Circassian custom whereby the residents of a village assemble to build or fix a house for or needy family on a voluntary basis.
• Postman hands a woman a “talking letter”. She listens to it on a record-player. “I am alive and kicking, and doing alright. My work is also going well! ...”
• Road construction near Psibe connecting to Adigea. Cars drive on the road.
• View of the village Psebe.
• Postman X’useyn Achmiz travelling on a treacherous mountain path.

Spartak Nalchik - Amkar Perm 2:1

Китаева ФатIима. «Йхьапщу адзын». Ажваква – Цекъва Инна, амакъым – Амирина
Фатима Китаева. «Золотая осень». Слова Инны Цековой, музыка Амирины
Гала-концерт "Абаза - песня года 2007 - 2012 - нам 5 лет!".

Hayreddin Pasha (Arabic: خير الدين باشا التونسي‎, Khair al-Din Pasha al-Tunsi, c.1822-1890) was an Ottoman politician who was born to a Circassian family , and became a Grand vizier of Ottoman Tunisia then a Grand vizier of the Ottoman Empire. He was a Ottoman Tunisian political reformer during a period of growing European ascendancy. He rose to become the chief minister of the state.

Of Circassian origin, Hayreddin was born in Abkhazia into "a family of warrior notables". His father Hassan Leffch, a local chieftain, died fighting against a Russian attack on the city of Sukhum. Thereafter as a young orphan Hayreddin was sold into slavery, then still a familiar event for Circassian youth. At Istanbul, however, he was eventually traded into a prestigious household, that of the notable Tahsin Bey, a Cypriot Ottoman who was the naqib al-ashraf (head of the Prophet's descendants) and qadi al-'askar (chief judge of the army) of Anatolia, and a poet.

Tahsin Bey moved the boy to his country palace at Kanlica near the Bosporus, where he became the childhood companion of the Bey's son for a span of years. Khayr al-Din received a "first-rate education" which included the Islamic curriculum, also the Turkish language, and perhaps French; yet he was not raised as a mamluk. Following "the son's tragic premature death" Khayr al-Din was again sold, in Istanbul by Tahsin Bey to an envoy of Ahmed Bey of Tunis. This new uprooting would obviously provoke emotional turmoil in Khayr al-Din, then about 17 years old. Soon he was on board a ship bound for Africa.

Circa 1840 Hayreddin became situated at the Bardo Palace, in the court of Ahmad Bey (r.1837-1855), as a mamluk bi-l-saraya [inner palace retainer]. He resumed his high-level studies, mainly at the Bardo Military Academy (al-maktab al-Harbi) a nearby institution newly established by the bey. A key part of his education now was learning to converse in Arabic, also acquaintance with French. At the Husaynid court he abilities were soon recognized; he became favored with the attention and trust of Ahmad Bey. He rose quickly in the elite cavalry, the nucleus of the bey's new army. Moreover, during the 1840s and 1850s he was sent by the Bay on several key diplomatic missions, e.g., to the Ottoman Porte at Istanbul, which was then pursuing its Tanzimat reforms, and to European capitals, including Paris. His political career thus began auspiciously under this famously modernizing ruler.

In 1846 he accompanied the bey, as part of small staff which included the influential advisor Bin Diyaf, during a two-month state visit to France. This trip was of a special cultural and political significant in that the orthodox bey traveled for an extended stay to a non-Islamic country in order to acquire familiarity with its modern methods of operation and governance. The trip "expanded the cultural space deemed acceptable for Muslim rulers." The French took care to show France to advantage; the small Tunisian party was well received by top government officials and leading private citizens. "Having traveled beyond the land of Islam, Ahmad Bey was blessed upon his return to Tunis by the grand mufti." In 1853 Hayreddin was elevated to the highest military grade, commander of the cavalry; he also then became an aide-de-camp of the bey. Yet shortly thereafter he was sent to Paris to arrange a loan for the bey's regime, but where instead he spend four years attempting to reclaim large sums embezzled by the notable Mahmud bin 'Ayyad, former head of the newly created national bank of Tunis, who with foresight had already secured French citizenship. During his years occupied with negotiations in Paris, Hayreddin also managed to browse libraries and bookshops, to improve his French, asking many questions, and to study European society, industry, and finance.
Because of the dire financial situation caused in part by the embezzlement of bin 'Ayyad, the bey's loan did not appear prudent to Hayreddin, according to Prof. Abun-Nasr. Nonetheless, the bey had stifled most political opposition to his financial schemes by long cultivation of the urban ulama and the rural tribal leaders. Due to Hayreddin's passive resistance, however, the loan was still being negotiated when Ahmed Bey died in 1855.

muhteşem çerkes dansı, mükemmel çerkes dansı, çerkes düğün videoları, çerkes videoları, çerkez düğünleri, çerkez dansı, adige kafe, adige qafe, circassian qafa, adiga qafa çerkes dansı muhteşem çerkes dansı çerkez düğünleri çerkes düğünleri adige düğünleri nachik adige cegu Черкесская свадьба Супер Адыгэ джэгу circassian dance circassian wedding adıge cegu çerkezler çerkesler dünyanın en güzel düğünü dünyanın en güzel şarkıları Нальчик Майкопе краснодар сочи circassia cherkessia Туапсинского cherkes Черкесск черкесский çerkez düğünü böyle olur circassian dance çerkes düğünü circassian wedding çerkez düğünü adige ceug adıge cegu şeşen щэщэн лъэпэрисэ Адыгэ джэгу Черкесская свадьба زفاف شركسي Չերքեզի հարսանիքը Çərkəz toyu Circassianische Hochzeit ჩერქეზული ქორწილი Черкеська весілля ჩრდილოკავკასიელი კავკასიის kafkas düğünleri adige khafe Matrimonio circasso süper dans show Κυκασιανός γάμος Καυκάσιοι γάμο dance taki taki dance afro танец Tanz رقص valle rəqs dantza danza ריקוד պարել 舞蹈 舞蹈 dança плес नृत्य tanec χορός sayaw 댄스 ples би танц danza tari رقص नृत्य Nr̥tya tánc qoob ka ダンス бий адыгэ джэгу, адыгэ джэгу свадьба, адыгэ джэгу лъапэрисэ, адыгэ джэгу 2018, адыгэ джэгу адыгейск, адыгэ, адыгэ уэрэд, адыгэ къафэ, къафэ, черкес, адыгея, шэшэн, адыгэ къашъо, черкесия ансамбль, черкесия песня

Read Book Online Now http://www.ezbooks.site/?book=0691026475<br /><br /><br /><br /><br />Read Nart Sagas from the Caucasus: Myths and Legends from the Circassians Abazas Abkhaz and

Hey everyone! This is my tribute to the Circassian people. It is a collection of photos reflecting how beautiful Circassians are.

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