Download & Stream: https://kud.li/sor021
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Official stream from Shapes of Rhythm. Distributed by Kudos Records.
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#ShapesofRhythm #ElectronicaDance #BeatsampBreaks
Album: Ozan [ALBUM]
Track: 15 of 21
Title: Circassian
Artist: Enver Göyken
Label: Shapes of Rhythm
Cat#: SOR021
Formats: Cassette/Digital
Digital Release: 30th September 2022
Physical Release: 30th September 2022

About This Release:

BodyMoves returns under the moniker Enver Goyken for his second full length beat tape on London-based label Shapes of Rhythm. Ozan (meaning travelling wise poet in Turkish) is a 21-track exploration of the Turkish side of his heritage, and the alias which is his birth name. Enver's biological dad was from Istanbul, and unfortunately the beat-maker didn't have a relationship with him for most of his life. When he died in 2016, BodyMoves was advised to use his passion for music to explore Turkiye and its culture as part of the grieving process, and to better understand that part of who he is.
"Amongst other things, my biological dad was a musician who first played a part in Turkish rock n roll history, and then as a producer who pioneered modern studio set ups in Turkey, so perhaps I was always going to be obsessed by music myself"
"As a beat maker, my dive into Turkish music inevitably led to identifying samples in the music I was digging into, and although it's been quite a long process, it has resulted in this beat tape project coming together."
Alongside digging into the musical side of Turkiye's culture, it also presented an opportunity to explore thousands of years of history as the bridge between East and West. It's for this reason that the tracklisting reads like a history lesson, referencing famous people and places across time, from archaeological sites and ancient statues to empires, Sultans, armies and tribes of people.
The music on Ozan is loosely framed around hip hop but is unrestricted by tempo. Using his trusty SP404 (championed by people like Ras G and Madlib), and a stack of records and historical references these are raw, raw beats and grooves. The departure from 2017's Cariño beat tape is that here there is a much more global approach to the sound sources. The opener Göbekli Tepe welcomes you in with an introductory stringed instrument fanfare before a whirlwind of polyrhythms move around a swinging, unquantised beat.
Urfa Man quickens the tempo with hand percussion samples and urgent vocal chants and calls, whilst a bassline moves nimbly around joined by a lush Rhodes line. Achaemenid is a lower affair, underpinned by a repetitive dusty piano sample and clacking wooden percussion. In classic BodyMoves style the duration is short but the ideas within it are many. Constantine I is all woozy sub bass and neck-snapping snares, whilst a hypnotic set of hand drums work their way through your brain. Sasanian is a complete assault on the senses with its swirling effects and minimal percussion.
Byzantium is the beat tape's longest and possibly grooviest track, led by a bassline and a reflective keyboard sequence. İznik is another track underpinned by Rhodes and punctuated by an urgent, looped up vocal hook.

Staying true to beat tape tradition Ozan is released on limited white cassette (and digital) with extensive contextual and historic liner notes plus map. Limited to 75 copies.

Reviews for This Release:

"This is awesome" - Tom Ravenscroft (BBC 6 Music)

"Lots of great stuff on here" - West Norwood Cassette Library (Repeater Radio)

"Ace!" - Lloyd Briggs (Deeep Space - PBS106.7fm)

"What a beattape!?!?! It flows like a champ, and I'm not just saying that cause I'm Turkish." - Kerem Gokmen (Dubmission Radioshow (WYEP Pittsburgh))

"Really enjoying the music and excited to delve into the album further. I love the exploration of heritage/identity through music, so really cool to hear your journey" - Jamz Supernova (BBC 6 Music/1Xtra/Radio 1)

10 years later, balagh iqbal's
caricatures are more actual then ever.

(www.geocities.com/circari)

Aibek wants to learn how to Iron fittings, so he ask from Jan Bek to teach him. when Jan Bek have to leave for a while, he warns Aaibek to not touch nothing ! will Aaibk obey ? :)

Aibek sent to the Carpenter by Zoher, but it seems that he didn't understand what Zakaria the Carpenter told him.

Circassian Genocide Professional Development Sat. August 12, 2023
9 am- 12 pm CDT

Please join us

21 May 1864 - Circassian Genocide

Circassian Activists from all over the world call for the recognition of the Circassian Genocide, No Sochi 2014, and a Free Circassia Now on May 21, Circassian Genocide Memorial Day

Aslan Alievich Daurov was a composer of Karachay-Cherkessia (July 24, 1940 - March 8, 1999), born in the village of Khabez, he lived most of his life in Cherkessk.
After graduating from high school with a silver medal, Daurov made his first creative steps at the Stavropol Musical College, where he studied in the trumpet class, and then moved to the choral conducting class.
During the years of study at the music school, Daurov tried his hand at writing. The first songs of the beginning composer were recorded on the radio and immediately attracted the attention of listeners.
Successfully launched steps in the field of composition inspired the student and he began to actively create songs for the program of the national student ensemble, which he himself led.
Working with this ensemble and creating a repertoire for it, he studied the features of the musical folklore of the peoples of the North Caucasus, which he later skillfully used in his compositions.
His first works confirmed the talent of the young musician. After graduating in 1963, Aslan successfully passes all the exams and enters the famous Moscow State Conservatory. where he was studying conducting and composing with the composer V. G. Fere.
The young musician was lucky enough to attend classes and concerts of prominent musicians like G. G. Neuhaus, M. L. Rostropovich. He studied with brilliant music teachers: N. P. Rakov, V. G. Agafonnikov, Yu. N. Kholopov and others.
After graduating, he immediately entered the graduate school at the Conservatory. During the years of study at the conservatory, Daurov actively worked in the field of composition.
The choral cycle “Five Mountain Songs” (1968) is included in the repertoire of the Moscow State Choir, which was headed by the great master of choral art V. G. Sokolov, and at the All-Union Competition for Young Composers he was awarded third place.
The chairman of the jury of this competition was the contemporary composer Sviridov. On its recommendation, literally in one day, Daurov was admitted to the Union of Composers of the USSR.
Then he returned to Cherkessk, where he taught musical and theoretical disciplines at the Circassian Musical College. In 1970 he became director of the school.
In the same year, the 30-year-old director created a folk symphony orchestra there, and at the same time headed the society of composers and melodists of Karachay-Cherkessia.
During 1970-1980, he writes symphonic and instrumental compositions, rhapsodies and vocal cycles, ballet and fantasies. Five of them received an award at the All-Union Review of Young Composers.
In 1989 Aslan Daurov created the cantata "Aul Songs".
Aslan Daurov became one of the brightest songwriters among the Adyghe authors. His songs are widely popular in Circassia, Kabarda, Adygea, Abkhazia, and throughout the Caucasus.
The well-known St. Petersburg composer Boris Tishchenko drew attention to the fact that “the apparent simplicity of A. Daurov’s music is fraught with great difficulties, as well as subtleties that you cannot see with the naked eye…”.
Daurov was the chairman of the Union of Composers of Stavropol.
He is also the author of several monographs about the life of famous composers, the book "Musical Culture of Karachay-Cherkessia".
For his great contribution to the multinational musical culture, Aslan Daurov was awarded the honorary titles "Honored Art Worker of the Russian Federation", "People's Artist of the KBR", "Honored Art Worker of the Abkhaz ASSR".
In 1990, Daurov was a laureate of the State Prize of the Russian Federation (this is the first prize of this magnitude in the entire history of the existence of not only Karachay-Cherkessia, but also the Stavropol Territory), a laureate of the State Prize of the KChR named after. Umar Alieva.
Daurov's great merit is the opening of the Karachay-Cherkess branch of the Union of Composers of the Russian Federation, which he headed from 1993 until the end of his life. He is known as a gifted conductor, the creator of a symphony orchestra in a music school. Unfortunately, with the departure of Daurov from life, the Union of Composers collapsed, and the symphony orchestra ceased to exist.
A. Daurov was the only representative of the North Caucasus (of the whole region!), who is a member of the Commission on State Prizes of the Russian Federation in the field of literature and art under the President of Russia.
The last years of his life, the composer lived in the city of Nalchik, worked as a music editor of the Kabardino-Balkarian radio broadcasting.

The image before the music is A Carousel (1920), by Boris Kustodiev, chosen by C. M for this video.

There is no copyright infringement intended. if you wish this recording to be removed, it can be done, please just let us know and the video will be removed.

Mr. Adel Bashqawi gives a short summary of the Circassians' efforts to preserve national identity and how technology and especially the Internet helped with this.

#геноцид #черкесы #21мая #краснаяполяна #россия #черкесия #Убыхи #circassian #кбр #нальчик #сочи #кавказ #пятигорск #майкоп #краснодар #анапа #туапсе #черкесск #кабарда #кабардинцы #адыги #адыгея

How can you preserve your culture in a melting pot of cultures?

This question is important with global migration due to wars, natural disasters, and violence in so many places in the world. Now we all hunger to discover our DNA, our heritage, our origins. It's human nature to want to trace back our ancestry.

Join Suhein Beck in this episode as she invites brother Yusef and sister Maza Eshak to discuss how and why they are working so hard to preserve our ancient Circassian / Adighe Culture here in Southern California, USA.

A special tribute to their father, Zuher Eshak Melgoush, with appreciation & encouragement for them to keep inspiring the NEXT generation to HOLD THE KEY OF CULTURE onward!

**Circassians were expelled by the Russians after a150+/- years of war/genocide in the Caucasus Mountains of Southern Russia between the Black Sea and the Caspian Sea. The fear of extinction has driven Circassians around the world to a passionate obsession of holding on to their heritage. Since May 21, 1864, Circassians have thrived all over the Mideast, Europe, America, and Australia and have proven to be resilient in spirit and keeping their fundamental traditions alive.

This video proves the Circassian spirit is still vibrant and continues.

Suhein Beck presents this episode as a testimony of human nature's innate need to identify our roots. We can roam the earth freely, but there is always some form of pull-back in our souls to self-reflect.

Please share your thoughts about YOUR culture and what you enjoy of your own history...

Archive purposes only

Circassian Day 21 may 2009 recognized officially by Israel. and granted a Day off to the Circassians We hope more countries will join this recognition next year.

It is the first time in the history of the Circassians a country recognize our genocide officially and broadcasts the events on its national governmental TV

On May 21, marking the anniversary of the end of the Caucasian War, about 4000 members of the Caucasian Diasporas in Turkey took part in mourning march to the walls of the Russian Consulate General in Istanbul. This year, the policemen stopped the procession 50 meters before the territory of the Consulate and let only several members of the Diaspora to lay a wreath with inscription reading "153 years of the Circassian genocide". For details, see: http://www.eng.kavkaz-uzel.eu/articles/39452/

Russia has started to released shows on their state-funded and operated television channels to hopefully spread misinformation about the Circassian issue. Here is a translated version of the show which is a good example of how they are willing to lie to cover up the truth.

"The Circassians historically inhabited the whole northwestern Caucasus, including the Black Sea coast. During the Russian conquest of the Caucasus in the nineteenth Century, the Circassians were exterminated and deported from their homeland to the Ottoman Empire on a mass scale. An estimated 90 percent of the Circassian population was killed, died of artificially imposed hardships or were sent into exile. After Moscow won the right to hold the 2014 Winter Olympics in Sochi, which was once Circassian land, the Circassian diasporas worldwide and in the North Caucasus started to campaign to attract the world's attention to their plight. One of the principal demands of the Circassians is for Moscow to affirm the right of the exiles' descendants to return to their historic homeland in the North Caucasus. So far, the Russian government has been very reluctant to allow any sizable immigration of the Circassians."

Artem Shirkov, Aleksey Yaschikov, Andrey Popov
Analytical program "Postscriptum"

Propaganda Interviews by :
1) Mikhail Zalikhanov -- deputy of state Duma, a Hero of Socilist Labour.
2) Sergey Mikheyev -- head of the Center of political state of affairs.
3) Aleksander Chachiya - political scientist, head of the Center of globalization problems.
4) Valery Kadokhov - assistant director of the Committee of Council of the Federation of Russian Federation on regional politics.

Join us on a journey back in time with our latest video, where we delve into the world of a stunningly detailed painting depicting an old Circassian village as it was in the year 1930.
This video offers a unique glimpse into the historical and cultural landscape of the Circassian people, showcasing traditional architecture, attire, and daily life through the lens of art.
Whether you're a history buff, art enthusiast, or simply curious about different cultures, this video is a must-watch.
Don't forget to like, share, and subscribe for more fascinating content!

الابادة الجماعية الشركسية
remember

and some Nart Saga pictures

To have an English translation for the video (just click on the Captions button) under the clip

In this Reportage which was produced by Nart TV under the name "21", is The Tale of Suffers and Pains of the Circassians that happened after 21-May-1864, and was translated based on a request from Brother STOPSOCHI1864

في هذا البرنامج والذي أعد من قبل قناة نارت الفضائية الشركسية تحت أسم "21"، هي حكاية الأحزان والآلام التي مرت على الشراكسة أثناء رحلة تهجيرهم القسري عن وطنهم شيركاسيا وقد تم ترجمته لبيان مدى المآسي التي مرت على أجدادنا الشراكسة الأديجة، والتي بدأت من تاريخ 21 أيار 1864 وهو تاريخ إحتلال شركاسيا.

#kafe
#çerkes
#circassian
#çerkesmüzikleri
#çerkesmüziği
#çerkez
#çerkessürgünü
#1864
#nart
#şeşen

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💕 Welcome to my Folk Songs Channel. 💕
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#folksongs

21-May-1864 is not an easy day for the Circassian nation , 157 years have been passed & our souls will never forget the Circassian genocide.

We will tell our story , stay tuned !

Тинькофф. Оформи кредит, сим-карту, автостраховку. Через эту ссылку Кэшбэк 30%
https://www.tinkoff.ru/baf/26RoFG6nx8v
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Second channel: https://www.youtube.com/ЧеркесыАдыги
Life channel: https://www.youtube.com/channe....l/UCUV-9Q8FwMVGW4CE4
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This channel is dedicated to the Circassian (Adyghe) national culture, life, dance, songs! If you want to learn more about the Circassian culture, then be sure to subscribe to the channel. #AydemirShumahov #АйдемирШумахов
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