The true story of the Lord Jesus (Jesus film) in Circassian P 9 according to the account of Luke, one of his followers.

Clip of Fatima Molamusa to the family in the US.

Da tempo volevo insegnare questa danza a lezione, dovendo aspettare ancora a lungo prima di poterlo fare ho approfittato della reclusione per danzarla in prima persona. Il Circassian Circle è una danza tradizionale che si trova in molti manuali dell'Ottocento. Le varianti sono molteplici ma si assomigliano tutte. In particolare mi affascina questa versione, descritta dal Maestro Thomas Hillgrove nel suo manuale pubblicato a New York nel 1857. Curiosamente nella riedizione del medesimo manuale dell'anno successivo questa danza è stata eliminata.
La particolarità di questo manuale rispetto agli altri è che dà la descrizione precisa di dieci diverse sequenze (dieci! esatto) che chiama "figure". Quindi ci siamo divertiti a farle tutte quante, una dietro all'altra.
Ho fatto la scelta di danzarla "alla scozzese" quindi con la tecnica di passi e figure della RSCDS: anche se probabilmente non è la scelta storicamente più esatta, è sicuramente quella che preferisco stilisticamente; ballare il Circassian con una musica francese o camminando sono entrambe ozpioni deprimenti...
Ovviamente essendo solo due coppie nella progressione abbiamo dovuto aggiungere una curva per poterci nuovamente fronteggiare: l'originale prevederebbe di proseguire dritto incontrando la coppia successiva.
Infine notare come la versione ufficiale dell'RSCDS (il Circassian è la terza danza che l'RSCDS ha pubblicato, dopo Petronella e Triumph, quindi anche l'RSCDS ha attribuito a questa danza grande valore tradizionale) ha come progressione la Poussette, che non è presente in nessuna di queste 10 sequenze!

#maledettovirustisconfiggeremo

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Since long time I wanted to teach this dance in class, having to wait a lot before I could do it, I took advantage of the lockdown to dance it in first person. Circassian Circle is a traditional dance present in many 19th century dance manuals. The variations are many but they all look similar. In particular I am fascinated by this version, described by M° Thomas Hillgrove in his manual published in 1857 in New York. Curiously in the re-edition of the same manual of the following year this dance has been eliminated.
The peculiarity of this manual compared to the others is that it gives an exact description of ten different sequences (ten! Exactly) that he call "figures". So we had fun doing them all, one behind the other.
I made the choice to dance in "Scottish way" with the RSCDS technique for steps and formations: although it is probably not the most historically exact choice, it is certainly the one I prefer stylistically; dancing the Circassian with French music or walking it are both depressing.
Obviously being only two couples in the progression we had to add a curve to face each other again: the original says to continue forward to meet a new couple.
Finally note how the official version of the RSCDS (the Circassian is the third dance that the RSCDS has published, after Petronella and Triumph, therefore the RSCDS itself has attributed it great tradition) has the Poussette as progression, which is not present in any of these 10 sequences!

#damnvirustwewilldefeatyou

lezginkaaaaa in nalchik - Aziz , Murad , Ammar , Alan -

yashar.. he was my best frnd.. my special bro.
ala yr7amak..!

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In the evening of May 21, Circassian activists in Istanbul held a march of many thousands along Istiklal Street in direction of the Russian Consulate General. The action was organized by the Confederation of Circassian organizations and Caucasian Diaspora in Turkey, and the march was also joined by Crimean Tatars representatives. The march involved Circassians, Adygs, Abkhazians, Vainakhs, Ossetians, and Crimean Tatars. In their hands, they were carrying the banners with the names of organizations and associations represented by their groups, as well as national flags. Besides, the activists were carrying the posters with slogans addressed to Russia and the international community and calling for recognition of the Circassian genocide and the cessation of repression of Circassian repatriates in Russia. For details, see: http://eng.kavkaz-uzel.ru/articles/35668

Гол Евгения Савина в ворота ФК "Спартак-Нальчик"

Vernissage de l'exposition des oeuvres de Jean-Luc TURLURE à l'Université d'Etat d'Adyghe à Maïkop - Fédération de Russie <br />©ADAGP/TURLURE 2010

To have an English translation for the video (just click on the Captions button) under the clip

التقرير الخاص بلقاء جلالة الملك عبد الثاني مع أعضاء المجلس العشائري الشركسي والذي عقد بتاريخ 27/6/2011 والذي أكد فيه جلالة الملك على دور الشراكسة في بناء الأردن جنباً إلى جنب مع إخوانهم الأردنيين من كافة الأصول والمنابت
His Majesty the King Abdullah II meeting with the Circassians Elders Council and said that Circassians contributed a great deal to the development of the country from the establishment of the state and they, like members of other minorities, are consulted on the steps taken to shape its future.

Merkuri's concert.
Final speach.

This video is not perfect because the song titles did not match the music being played and the part of history of our people was not aired, however this wonderful event was history by itself because it was the first time that five Circassian songs and music were played on FM radio in the United States for 20 minutes without interruption.... Адыгэ псо! Adyghe Pso!!!

Entire "World Wide" radio show:
http://wsbf.net/?page_id=164

For audio of the 20 minute entire Adyghe portion of the broadcast:
http://dl.getdropbox.com/u/631....994/circassian_16020

Join our FREE #circassian Online classes and learn how to read, pronounce, and write in Circassian Language! To join, click here to register for FREE: https://go.nassip.org/language-learning

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https://www.facebook.com/groups/42080696692

For effective learning of the Circassian Language, we are using the Guided Immersion method. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with this method.

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ANBU team. Nalchik 2012

Circassian beauties, or Moss-haired girls as they were sometimes known, reflect a curious legacy of racial stereotyping and sexual titillation. Racial theories of the mid 19th century held that the people living in the Circassian mountains near the Black Sea were examples of the purest stock of the Caucasian race. Legend had it that the Circassians produced the worlds most beautiful white women, who were consequently in great demand for the harems of Turkish sultans.








The long shadow of slavery can also be discerned in this hybrid depiction. American audiences were both intrigued and horrified, given their false association of slavery with Africans, by the fact that Circassian women were among the most sought-after concubines in the Sultans harem - hence the need to make them appear somewhat African. Both African slaves and Circassian slaves were subject to sexual exploitation and this is the point of contact that played so powerfully on white Americans imagination, wrote philosophy professor Gregory Fried.


0:00 - Intro




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