ESKİŞEHİR Oklubalı Köyü (Hakurine Hable)
MIZIKA HAVALARI Хьэкурынэхьаблэ Пщыналъэхэр
Oklubalı Köyü (Hakurine Hable)
Kısa Tarihi;
1556 dan sonra başlayıp 1864 e kadar süren Kafkas-Rus savaşları
Çerkesya’nın Ruslar tarafından işgaliyle sonuçlanmıştır. Rus çarı 2.Aleksander
Çerkesler’e “Vadilerdeki oturduğunuz yerden çıkıp size gösterilen ovalardaki yerlere
iskan edeceksiniz ya da sürgün edileceksiniz.” ültimatomunu verir. Çerkesler’in % 95’i
bu ültimatomu kabul etmez ve vatanlarından sürgün edilir. % 5 gibi çaresiz bir azınlık
ovalara iskan ettirilmek suretiyle bırakılır. Şimdi Adığey Cumhuriyeti sınırları içinde
kalan Hakurine Hable, 1859 yılında, o zamanlar çiftlikler halinde dağlık vadilerinde
yaşayan Abdzah sülalelerin çıkartılmasıyla kurulmuştur. İskan edildikleri bölgede
yenilgi ve esareti kabul etmeyen Abdzah aileler 1864 yılında Meretıko Hacı Zekeriya
Bey önderliğinde vatanı terk ederler. Bunlara civar kabilelerden Wubıx, Bjedığu,
Besleney, Abazin, Çemguy, Şapsığlardan da sülaleler katılır. Meretıko Hacı Zekeriya
Bey yanındaki Thamatelerle birlikte Sultan Abdülaziz ile görüşüp kendilerine yer
gösterilmesini ister. Padişah kendisine “mahiyetiyle birlikte istediği yere yerleşebilir”
diye belge verir. Halk Kafkasya dan gemilerle getirilir. Bir kısmı İstanbul üzerinden
Oklubalı’nın şimdi bulunduğu yere yerleştirilir. Böylece Oklubalı Köyü tahmini 1865-
1866 yıllarında kurulur. Bir kısmı da Bulgaristan’a yerleştirilir. Burada Topallar köyünü
kurarlar. 1878’de Osmanlı’nın Balkanlarda yenilmesiyle buradan da çıkarılan halk
Oklubalı’na gelirler.
Abdzah Sülaleler: 1-Meretıko, 2-Awutle (Mezako), 3-Bidanıko, 4-Birseyko, 5-Apiş,
6-Çetaw, 7-Brant, 8-K’uaş, 9-Ğuç’e, 10-Sax’u, 11-Çüyeko 12-Xut, 13-Haets’ıq’u, 14-K’ır
Bjedığu sülaleler: 1-Hacemıko, 2-X’ot (Haçesko)
Ç’emguy sülaleler: 1-Mamış (Ferhatıko) 2-Klov
Besleney Sülaleler: 1-Nexuşe, 2-Canbek, 3-Biyiko (Ceguaq’o)
Hatıkuay sülaleler: 1-Baceko
Şapsığ sülaleler: 1-Batkeri
Wubıx sülaleler: 1-Deçen, 2-Tuğa (Köydeki Kabartaylar’ın geneli Kafkasya da Kabartay
bölgesinde Yincig ırmağı yakınlarındaki Ts’ımp’a Hable den gelmişler.
Kabartay’dan gelen sülaleler: 1-Ts’ımp’a, 2-Dışek, 3-Pşemaho, 4-Allahberdi, 5-
Debağo, 7-Bala, 8-X’ux’ğa, 9-Bağ 10-Karma, 11-Thaçoko, 12-Tawbike, 13-Şamoko
Abaze sülaleler: 1-A-Brakua, 2-Pekiz, 3-A-Jıya, 4-Karden, 5-Agıra (Agıralar Aşkharıwa
bölgesinden gelmişler. Diğerleri Aşuwa olup geldikleri yer Kuban’ın doğduğu yerler ve
Şegerey civarıdır)
Çerkesler yaklaşık 150 yıldır bu topraklarda var olma mücadelesi vermektedir. İşte bu
hazırlamış olduğumuz CD Eskişehir bölgesi Çerkesler inin kendilerine münhasır ata
mirası kültürlerini yansıtan müziklerden oluşmuştur. Dedelerimizi Rahmetle anıyoruz.

facilioo Checklisten standardisieren Ihre Prozesse. Sie helfen dabei automatisch und erfolgreich Chaos zu umgehen.

Glue + Tide = Slime? 😱 *How to Make Slime WITHOUT ACTIVATOR*

In this slime video, I show how to make slime without activator. This is an easy diy slime tutorial for slime hobbyists with no glue and without using activator. The squishy slime is a new type of diy fidget toys. I test tiktok viral no activator slime recipes. How to make slime without glue & how to make slime without activator. This is an easy diy crafts & the slime makes oddly satisfying slime asmr. This is an easy slime recipe for making slime without glue or activator at home. This is a DIY how to make slime video like diy fidget toys, diy fidgets.

#slime #shorts #howtomakeslime #fidget #shorts #diy #fidgettoys #satisfying #asmr #fidgets #fidgettoy #short #squishy #craft #hack

FULL DIY VIDEO: https://youtu.be/Ur3vK4DyVxk?si=5kEs0980VNaz0fYk

This video may include inappropriate adult themes and humor which may not be suitable for people with epilepsy.

Ghuche Zamudin and Jıu Circassian Folk Ensemble in rehearsal,
with Adyghe guests from Turkey

Maykop / February 2011

KFAR SABA HAWKS - LEYADA RHINOS 21/10/2010

Nel 1998, a Nalchik, nel Caucaso del nord, la ventiquattrenne Ilana lavora nel garage del padre per aiutarlo a sbarcare | dG1fNUtTVVRoeVBpemM

It’s not as black and white as it seems

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About:
Johnny Harris is an Emmy-winning independent journalist and contributor to the New York Times. Based in Washington, DC, Harris reports on interesting trends and stories domestically and around the globe, publishing to his audience of over 3.5 million on Youtube. Harris produced and hosted the twice Emmy-nominated series Borders for Vox Media. His visual style blends motion graphics with cinematic videography to create content that explains complex issues in relatable ways.

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Circassian beauty 2.0
#ai #aiart #aiartcommunity #aiartwork #generativeart #midjourney #stablediffusion #animation #aianimation #circassian #adige #circassianart #circassian_music #адыгэ

5-2 Ilya Kutepov Goal Russia Kubok Round 6 - 25.10.2017 Spartak Moscow 5-2 Spartak Nalchik

This is a part of the Al-Jazeera Documentary film "To Be Adyghe" about Circassian Diaspora in Jordan
Это часть документального фильма "Быть Адыгэ", снятого каналом Аль-Джазира, посвященного черкесской диаспоре в Иордании. С русскими субтитрами.

Видео от Sergey Tsivashov

Беков Азамат

http://www.christiancircassians.com
Church Dance of Adygea Children
Adıge Çocuklarının Kilise Dansı
Церковный танец детей Адыгеи
ריקוד הכנסייה של ילדי אדיגאה
رقصة الكنيسة لأطفال أديغيا

Dance of the Anatolian Circassians or locally known as Sheshen is a very popular Circassian dance performed in every wedding and celebration ceremony. Its origin is not known clearly, but modern versions are inspired by Circassians living in Turkey. It has a moderate pace although there are some faster versions mixed with Lezginka in some regions.

Every couple performs the dance inside a wide circle surrounded by the crowd and guests. Couples take the floor one by one and show their skills to the community. The man needs to do his best to get the woman's attention and the crowd's appreciation. The other men in the circle encourage and support him during the dance with cheers and chants. Although there are some basic elements, custom improvisations are very important. Performers should not repeat other people's patterns and they have to be creative because individual compositions are seen as a signature for the person. Like all other Circassian dances, the dance duration depends on the woman and keeps going on until she decides to finish it. It's accepted a very rude behavior if the man leaves the scene first.

Nalmes' choreography is much longer than this video but this is the original part that shows the traditional figures and pace. You can see the various full versions of Nalmes' composition at the following links:

https://youtu.be/dkqxCG8M9qo?t=2240
https://www.youtube.com/watch?v=nhSABKRyDWg
https://www.youtube.com/watch?v=333MmIIHw5c

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