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Al-Ahli Circassian Folk Group
(Under Attack)
from the dance operate
“The Kingdom of Peace”
New Jersey 1993
Choreography and dance instruction by Amer Dakhqan of the ACID group
Music by Saeed Bazoqa
Main characters:
Hussien Arkhaga
Yanal hikmat
Ali Mamila
Tamer Mofti
Ali Qardan

The dance section is taken from the dance operate, representing the Russian invasion to the Caucasus and the valiant defense of the Circassians against the aggressors. At the end of which the main Circassian character is martyred.
The music design and instrumentation was done by Engineer Saeed Bazoqa as part of the entire operate.
The final cut, where the Circassian hero is killed, is an adaptation from the death scene in the ballet Spartacus by Aram Khachaturian.
The ACID group was responsible for Authoring, Choreographing, Instructing, and Directing a group of Circassian folk and artistic programs of dance, song and music in Jordan between the years 1986 until 1996. The group consisted of Mirna Janbik, Samer Balkar and Amer Dakhqan. Their work includes the programs; “a Folkloric Tale”, 1990, “Building a City”, 1991, “True Love”, 1992, “the Kingdom of Peace”, 1993, “Fantasia” 1994, and the “Circassian Song festival”, 1991, 92, 93, and 95 and others. The ACID programs were performed in Jordan, the US, Tunisia, Bahrain and the homeland.

right to left - Adam , Aybek.t , Amjad , Musa , Aybek , Jan and .. me. playing some circassian tunes

In this rare interview at the Circassian Cultural Institute, you get an inside glimpse into the life and times with retired General Kashouga, a very respected Circassian Elder in the NJ community.

#circassianhorse
#adige
#milaardan

The CCI lecture series presents the author of Let Our Fame Be Great, Oliver Bullough.

Oliver Bullough was a Reuters Moscow correspondent, and is now Caucasus Editor for the Institute for War and Peace Reporting. His book Let Our Fame Be Great: Journeys Among the Defiant People of the Caucasus.

Let Our Fame Be Great won the Oxfam Emerging Writer Prize and was short-listed for the Orwell Prize, with prize judge James Naughtie calling it "an extraordinary book... a wonderful part-travelogue, part-history". In August 2010 Basic Books published it in the United States, where the Overseas Press Club awarded it the Cornelius Ryan Award for "best nonfiction book on international affairs".

#адыгэ #history #кабардинцы #черкес #caucasus #circassia #adige #кавказ #tarih

Terk Kafej Cırcassian Music. #adiga #kafkas #kavkaz #circassian #адыгея #нальчик #adige

"Kanalımızı büyütmek ve bize destek olmak için lütfen ADIGA TR isimli kanalımıza üye olun. Siz de bizimle birlikte olun ve en yeni içeriklerimizi kaçırmayın!"

"Please subscribe to our channel named ADIGA TR to grow our channel and support us. Be with us and don't miss our latest content!"

#shorts #adiga #çerkes #kafkas #lezginka #maikop #нальчик #kavkaz #circassian #adige

حضرت حفلة النادي الأهلي الشركسي خلال مهرجان جرش صيف 2018 وعرفت أكتر عن عاداتهم وثقافتهم.

I went to Jerash festival in the summer of 2018 and attended a Circassian festival and watched them dance and learned more about their culture.


أهم أشي تعليقاتكم عشان بحب أسمعلكم ... واللايك بخليني أتحمس وأتشجع أكمل .. شكراً كتير على اشتراكك

شخص بسيط عفوي لاسع ,إشترك وتابع كل جديد من تجاربي كشخص عربي، أردني، فلسطيني، خليلي عايش بتكساس بالولايات المتحدة الأمريكية
بشارك معلومات وصور مختلفة من سفراتي على حساباتي في الفيسبوك والإنستجرام

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
حقائق لا تعرفها عن الشركس | Facts you didn't know about Circassians
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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I DO NOT OWN ANY OF THE MUSIC IN ANY OF MY VIDEOS AND I GIVE CREDIT AS NEEDED.

This video takes you on a journey to the roots of monotheistic beliefs and portrays aspects of monotheism in the Holy Land in the twenty-first century.

All faiths see Israel as the Holy Land and have special rituals and holy places that are sacred only to them. What constitutes a ritual for a one religion might not be regarded as sacred by another.

Are we able to look past these cultural differences and recognize that we are all human beings living side-by-side in the land of Israel? Over twenty religious leaders share their point of view and offer us a glimpse into their world, rituals, and way of life.

SiPac is an old Circassian Folk Song.

Performed by:
Ali Khachak - Vocal
Zamanbi Irugov - Accordion
Boris Lando - Drums
Viktor Khomenko - Bass
Aslan Gotov - Keyboards, arrangement & back vocals
Inal Gotov - Guitar, percussions & back vocals
Magomed Anchekov - Pkhachich & percussions
Alan Gotov - Back vocals
Ruslan Neguch - Video editing

Beautiful Circassian Music!

muhteşem çerkes dansı, mükemmel çerkes dansı, çerkes düğün videoları, çerkes videoları, çerkez düğünleri, çerkez dansı, adige kafe, adige qafe, circassian qafa, adiga qafa çerkes dansı muhteşem çerkes dansı çerkez düğünleri çerkes düğünleri adige düğünleri nachik adige cegu Черкесская свадьба Супер Адыгэ джэгу circassian dance circassian wedding adıge cegu çerkezler çerkesler dünyanın en güzel düğünü dünyanın en güzel şarkıları Нальчик Майкопе краснодар сочи circassia cherkessia Туапсинского cherkes Черкесск черкесский çerkez düğünü böyle olur circassian dance çerkes düğünü circassian wedding çerkez düğünü adige ceug adıge cegu şeşen щэщэн лъэпэрисэ Адыгэ джэгу Черкесская свадьба زفاف شركسي Չերքեզի հարսանիքը Çərkəz toyu Circassianische Hochzeit ჩერქეზული ქორწილი Черкеська весілля ჩრდილოკავკასიელი კავკასიის kafkas düğünleri adige khafe Matrimonio circasso süper dans show Κυκασιανός γάμος Καυκάσιοι γάμο dance taki taki dance afro танец Tanz رقص valle rəqs dantza danza ריקוד պարել 舞蹈 舞蹈 dança плес नृत्य tanec χορός sayaw 댄스 ples би танц danza tari رقص नृत्य Nr̥tya tánc qoob ka ダンス бий адыгэ джэгу, адыгэ джэгу свадьба, адыгэ джэгу лъапэрисэ, адыгэ джэгу 2018, адыгэ джэгу адыгейск, адыгэ, адыгэ уэрэд, адыгэ къафэ, къафэ, черкес, адыгея, шэшэн, адыгэ къашъо, черкесия ансамбль, черкесия песня

Shichepshin - is one of most alive archaic music traditions of Caucasus.
Performer: Artur Abid
Исполнитель: Артур Абид

ШыкIэпщын / ШыкIэпшынэ / Шичепшин
Шичепши́н (шикепши́на, адыг. шыкIэпщын, кабард.-черк. шыкIэпшынэ, от шы — «конь», кIэ — «хвост», пщын(э) — «музыкальный инструмент») — адыгский традиционный струнный смычковый инструмент
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The Ottoman penetration into Europe in the 1350s and their capture of Constantinople later in 1453 opened new floodgates for slave-trade from the European front. In their last attempt to overrun Europe in 1683, the Ottoman army, although defeated, returned from the Gates of Vienna with 80,000 captives.874 An immense number of slaves flowed from the Crimea, the Balkans and the steppes of West Asia to Islamic markets. BD Davis laments that the ‘‘Tartars and other Black Sea peoples had sold millions of Ukrainians, Georgians, Circassians, Greeks, Armenians, Bulgarians, Slavs and Turks,’’ which received little notice.875 Crimean Tatars enslaved and sold some 1,750,000 Ukrainians, Poles and Russian between 1468 and 1694. 876 According to another estimate, between 1450 and 1700, the Crimean Tatars exported some 10,000 slaves, including some Circassians, annually—that is, some 2,500,000 slaves in all, to the Ottoman Empire.877 The Tatar slave-raiding Khans returned with 18,000 slaves from Poland (1463), 100,000 from Lvov (1498), 60,000 from South Russia (1515), 50,000–100,000 from Galicia (1516), during the ‘harvesting of the steppe.’ Numbers from Moscow (1521), 800,000 were taken and from Valynia (1676), 400,000 were taken. 800,000 from Moscow (1521), 200,000 from South Russia (1555), 100,000 from Moscow (1571), 50,000 from Poland (1612), 60,000 from South Russia (1646), 100,000 from Poland (1648), 300,000 from Ukraine (1654), 400,000 from Valynia (1676) and thousands from Poland (1694). Besides these major catches, they made countless more Jihad raids during the same period, which yielded a few to tens of thousands of slaves.878 These figures of enslavement must be considered in the context that the population of the Tatar Khanate was only about 400,000 at the time. (1463-1694) while sources are incomplete, conservative tabulation of the slave raids against the Eastern European population indicate that at least 7 Million European people-men, women, children were enslaved by Muslims.

Sources suggest that in the few years between 1436-1442, some 500,000 people were seized in the Balkans. Many of the captives died in forced marches towards Anatolia (Turkey). Contemporary chronicles note that the Ottomans reduced masses of the inhabitants of Greece, Romania, and the Balkans to slavery eg from Moree (1460)-70,000 and Transylvania (1438) - 60,000-70,000 and 300,000-600,000 from Hungary and 10,000 from Mytilene/Mitilini on Lesbos island (1462) (Bulgaru p 567) and so it continued.

Barbary Slavery
Ohio State University history Professor Robert Davis describes the White Slave Trade as minimized by most modern historians in his book Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, the Barbary Coast and Italy, 1500–1800 (Palgrave Macmillan). Davis estimates that 1 million to 1.25 million white Christian Europeans were enslaved in North Africa, from the beginning of the 16th century to the middle of the 18th, by slave traders from Tunis, Algiers, and Tripoli alone (these numbers do not include the European people which were enslaved by Morocco and by other raiders and traders of the Mediterranean Sea coast), 16th- and 17th-century customs statistics suggest that Istanbul's additional slave import from the Black Sea may have totaled around 2.5 million from 1450 to 1700. The markets declined after the loss of the Barbary Wars and finally ended in the 1830s, when the region was conquered by France.

In 1544, the island of Ischia off Naples was ransacked, taking 4,000 inhabitants prisoners, while some 9,000 inhabitants of Lipari Island off the north coast of Sicily were enslaved.870 Turgut Reis, a Turkish pirate chief, ransacked the coastal settlements of Granada (Spain) in 1663 and carried away 4,000 people as slaves.

The barbaric slave-raiding activities of the Muslim pirates had a telling effect on Europe. France, England, and Spain lost thousands of ships, devastating to their sea-borne trade. Long stretches of the coast in Spain and Italy were almost completely abandoned by their inhabitants until the nineteenth century. The finishing industry was virtually devastated.

Paul Baepler’s White Slaves, African Masters: An Anthology of American Barbary Captivity Narratives lists a collection of essays by nine American captives held in North Africa. According to his book, there were more than 20,000 white Christian slaves by 1620 in Algiers alone; their number swelled to more than 30,000 men and 2,000 women by the 1630s. There were a minimum of 25,000 white slaves at any time in Sultan Moulay Ismail’s palace, records Ahmed ez-Zayyani; Algiers maintained a population of 25,000 white slaves between 1550 and 1730, and their numbers could double at certain times. During the same period, Tunis and Tripoli each maintained a white slave population of about 7,500. The Barbary pirates enslaved some 5,000 Europeans annually over a period of nearly three centuries.

A song made by the Circassians for the battles against the Russian invaders in the Russo-Circassian war.

Da tempo volevo insegnare questa danza a lezione, dovendo aspettare ancora a lungo prima di poterlo fare ho approfittato della reclusione per danzarla in prima persona. Il Circassian Circle è una danza tradizionale che si trova in molti manuali dell'Ottocento. Le varianti sono molteplici ma si assomigliano tutte. In particolare mi affascina questa versione, descritta dal Maestro Thomas Hillgrove nel suo manuale pubblicato a New York nel 1857. Curiosamente nella riedizione del medesimo manuale dell'anno successivo questa danza è stata eliminata.
La particolarità di questo manuale rispetto agli altri è che dà la descrizione precisa di dieci diverse sequenze (dieci! esatto) che chiama "figure". Quindi ci siamo divertiti a farle tutte quante, una dietro all'altra.
Ho fatto la scelta di danzarla "alla scozzese" quindi con la tecnica di passi e figure della RSCDS: anche se probabilmente non è la scelta storicamente più esatta, è sicuramente quella che preferisco stilisticamente; ballare il Circassian con una musica francese o camminando sono entrambe ozpioni deprimenti...
Ovviamente essendo solo due coppie nella progressione abbiamo dovuto aggiungere una curva per poterci nuovamente fronteggiare: l'originale prevederebbe di proseguire dritto incontrando la coppia successiva.
Infine notare come la versione ufficiale dell'RSCDS (il Circassian è la terza danza che l'RSCDS ha pubblicato, dopo Petronella e Triumph, quindi anche l'RSCDS ha attribuito a questa danza grande valore tradizionale) ha come progressione la Poussette, che non è presente in nessuna di queste 10 sequenze!

#maledettovirustisconfiggeremo

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Since long time I wanted to teach this dance in class, having to wait a lot before I could do it, I took advantage of the lockdown to dance it in first person. Circassian Circle is a traditional dance present in many 19th century dance manuals. The variations are many but they all look similar. In particular I am fascinated by this version, described by M° Thomas Hillgrove in his manual published in 1857 in New York. Curiously in the re-edition of the same manual of the following year this dance has been eliminated.
The peculiarity of this manual compared to the others is that it gives an exact description of ten different sequences (ten! Exactly) that he call "figures". So we had fun doing them all, one behind the other.
I made the choice to dance in "Scottish way" with the RSCDS technique for steps and formations: although it is probably not the most historically exact choice, it is certainly the one I prefer stylistically; dancing the Circassian with French music or walking it are both depressing.
Obviously being only two couples in the progression we had to add a curve to face each other again: the original says to continue forward to meet a new couple.
Finally note how the official version of the RSCDS (the Circassian is the third dance that the RSCDS has published, after Petronella and Triumph, therefore the RSCDS itself has attributed it great tradition) has the Poussette as progression, which is not present in any of these 10 sequences!

#damnvirustwewilldefeatyou

Xabze, Xa: many, vast or space, Bze: language, literally meaning, the language of the cosmos is an oral unwritten code of conduct, which incorporates all aspects of life, dictating behavior from birth to death. It is not an explicit dogma nor a separate creed, but can be closely described as an art of life.



ARTICLE: https://www.ayurvedajournals.c....om/article/zaina-el-

Zoher find that his Pitchfork is missing and he Suspicious tha it was Stolen.
Aibek who left to guard, Prepared a trap just to find that he Caught the wrong person :)

Çerkesya Tarihi - Черкесия Исторя - Circassian History - Адыгэм и Тхыдэ - Geschichte von Tscherkessen - Çerkesce - Adığabze - Адыгэбзэ

Producer: Askarbi Naghaplev Aminat, Maykop 2007 Thanks to Janbolat from NJ

Адыгэ ныпыр ыпэк1э сыдэущтэу агъафедэщтыгъэ? Сыдэущтэу ар лъэпкъым Адыгэ ныпэу ыштагъ? Илъэс пчъагъэ зытеш1э иуж сыдэущтэу ар Адыгэ Республикэм иныпэу къаштэжьыгъ? Мыхэр ык1и нэмык1 къэбархэмэ шъуяплъынэ шъуфаемэ зыхэшъумыгъэн, силъэпкъэгъу лъап1эхэр.

Welcome to A Swift Journey with Tugce!
In this video I had an interview with Bislan Jalouqa about the Circassian culture. Circassian culture is more than Circassian dance, Circassian cheese and Circassian chicken.
What do you know about Circassian culture?


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Instagram: https://www.instagram.com/tugcecandemir/
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It seems impossible that we would forget genocides of entire people, but events like the Assyrian genocide show us how fickle human memory can be. Also called the Sayfo, meaning ‘the sword’, the Assyrian genocide was one of three mass campaigns of extermination waged by the Ottoman Empire during the First World War. Alongside the more famous Armenian genocide and that of the Greeks, hundreds of thousands of Assyrians lost their lives in racially and religiously motivated atrocities at the command of the Ottoman government between 1914 and 1918.

The struggle of the Assyrians is easily overlooked, but it contains tales of incredible brutality and of admirable resistance. Today on A Day In History, we look at how the atrocities of the Sayfo unfolded, the deplorable ways that the Ottomans deceived their victims, and the stories of the men who took up arms to defend themselves from those who would exterminate them.

Don’t forget to like this video to show your support and subscribe for more dives into overlooked historical events like this

Prelude

The Assyrians are an ethnic group united by their shared languages which derive from ancient Aramaeic. Christianity They are also thorouglhy Christian although split between several denominations, of which the largest are the Orthodox Assyrian Church of the East and Syrian Orthodox Church, and the Chaldean Catholic Church.

Unlike the Armenians, the Assyrians have never been politically unified - there is no real link between the ancient Assyrian empire and the modern Assyrian people - and they were treated as a loose ethnic group with no fixed territory. Like other Christian minorities in the Ottoman Empire, they faced sporadic violence and persecution for decades before the genocide. In 1895, Assyrians were among the victims of the waves of violence that killed thousands of Christians across the Empire and they faced regular discrimination in law and public life. Violence from Turkish authorities and Kurdish raiders continued throughout the early 20th century with land seizures, forced conversion, and mob violence becoming regular features of life.

Things changed with the rise of Turkish ethnonationalism and the First World War. The Empire’s new ruler Talaat Pasha envisioned an ethnically Turkish empire where minorities were excluded, or eliminated. The Ottomans also saw the Assyrians as a security risk, fearing that they would side with Russia once the fighting began.

#assyrian #history #armeniangenocide #sayfo

Music: Epidemic Music

Sources:

David Gaunt, Massacres, Resistance, Protectors: Muslim-Christian Relations in Eastern Anatolia during World War I, (2006)

David Gaunt, ‘The Ottoman Treatment of the Assyrians’, in Ronald Grigor Suny et al (ed.), A Question of Genocide: Armenians and Turks at the End of the Ottoman Empire, (2011), p244-59

David Gaunt and Naures Atto (ed.), Let Them Not Return: Sayfo - The Genocide Against the Assyrian, Syriac, and Chaldean Christians in the Ottoman Empire, (2019)

Maryam Ishaya, ‘France recognizes Seyfo Genocide of 1915’, 27th February 2023, The Morningside Post, https://morningsidepost.com/ar....ticles/france-recogn

Florence Hellot-Bellier, ‘The Increasing Violence and the Resistance of Assyrians in Urmia and Hakkari (1900–1915)’, in Talay Shabo and Soner O Barthoma (eds.), Sayfo 1915: An Anthology of Essays on the Genocide of Assyrians/Arameans during the First World War, (2018)

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The Circassian Genocide #islam #circassia #circassians #circassian