Rex and Ranger’s peaceful camping trip does not go as planned when the rest of the League tags along. Rex waits for the perfect time to talk to reveal a dark secret to Ranger while Saturn hides his relationship with Lex. Jewbot goes offline and Cooch learns that she does not do well in nature. © Sony Pictures All Rights Reserved

Sing along with all your favorite Nursery Rhymes and Kids Songs with your buddy Blippi! Let's dance and learn together! #live #blippi #mix #music #kidsmusic
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Thanks for watching this Blippi play and learn video with Blippi's songs for toddlers and videos for toddlers.

More educational fun for kids with Blippi: https://www.youtube.com/watch?v=LfuEad93Ap0&list=PLzgk_uTg08P-UbUdr1x0gPdC5tVAixw8_

Learn Machines with Blippi: https://www.youtube.com/watch?v=eTvrSLFWmLo&list=PLzgk_uTg08P_nhILV2WV8LEAeSwOmVqNQ

Learn Colors for Toddlers: https://www.youtube.com/watch?v=ckVB1i7OsUY&list=PLzgk_uTg08P9G2a3Fvm8sQJrrxhRdt_6U

Blippi Sink Or Float: https://www.youtube.com/watch?v=astwv4c_iP0

Blippi Learns About Bubbles: https://www.youtube.com/watch?v=Enbvtr78mqo

Blippi Makes Healthy Fruit Popsicles: https://www.youtube.com/watch?v=CxKN-Aab3U0

Blippi The Pirate! https://www.youtube.com/watch?v=1jDjonQpLz0

Come explore the wondrous world with everybody's best friend, Blippi. How does a recycling truck work? What does a baker do? What is the best playground around? There are so many exciting things to explore and learn. Feed your kids’ curiosity while they learn about vehicles, animals, the natural world and so much more. Blippi helps children‘s understanding of the world and encourages vocabulary development. Blippi loves visiting exciting places such as children’s museums and the zoo! He loves singing, dancing, playing and exploring. His contagious curiosity engages young viewers in learning adventures that help them both grow and develop.

"Hara Harwaa Reihaby" [The Leader of Our Soldiers] is a musical film in which there is a collection of songs which were born in one of the most challenging periods for Abkhazia, the period when not only the future of the country but the very future of the nation found itself in question.

The film incorporates a military chronicle: right at the start their authors and first performers sing military songs. These archival sequences are combined with staged shots of the same songs but now in performances by descendants of the heroes who gave their lives for Victory.

Realisation of the project " Hara Harwaa Reihaby " was facilitated thanks to funding by the companies AQUAFON and «Wines and Beverages of Abkhazia".

Аиааира ашәақәа.
Иҭырхит Емма Хәаџьаа-ҧҳаи Ҭемыр Қәычбериеи.
Ашәақәа аус рыдиулеит Анри Гәымба

Full Video: youtu.be/6v4mMxMmw4w

http://abkhazworld.com/news/mi....sc/917-aquafon-prese

***

Lyrics

Адыга ҧшына иҳәа нас аурашьа...
ҳашҭаҿы гәырҕьароуп, ажәлар еизыжәгала.
Шәҩаха нас аҵәцақәа, ҳҭалозар шьардаамҭа.
Дҭаҳгалоит ашҭа адыга ҭаца...

CHOIR

О рада адыга ҭаца,
Лыҧшӡара илыхәаҧшо ргәаҵа,
Гәыҕрала иҭәуп, аҿиара иатәуп,
Адыга ҭаца дҭаҳгалоит ҳашҭаду,
Радеда еиҵышәх иахьа гәырҕьароуп!

ҳаҷкәынцәа гәымшәақәа, зкәымжәы ҧшӡа иҭаҟаҵо.
ҳабацәа ргәеисыбжь иалҵыз ауп ашәақәа,
ишьыцлааит амра ҧха шәыҧшӡара гәаҭаны.
Дҭаҳгалоит ашҭа адыга ҭаца
О рада адыга ҭаца,
Лыҧшӡара илыхәаҧшо ргәаҵа,
Гәыҕрала иҭәуп, аҿиара иатәуп,
Адыга ҭаца дҭаҳгалоит ҳашҭаду,
Радеда еиҵышәх иахьа гәырҕьароуп!

Алаҳәеиҧш еиқәаҵәо ҽыҧшӡа кәаша-кашо,
Амза хаҿы лашеиҧш, уҟамара ӡымшаха,
Адыд мацәыс еиҧш изыршанхо иухәаҧшуа...
Дҭаугалоит ашҭа адыга ҭаца

О рада адыга ҭаца,
Лыҧшӡара илыхәаҧшо ргәаҵа,
Гәыҕрала иҭәуп, аҿиара иатәуп,
Адыга ҭаца дҭаҳгалоит ҳашҭаду,
Радеда еиҵышәх иахьа гәырҕьароуп!

A teaser of the interview with a representative of the Ossetian people for the international project "The Ethnic Origins Of Beauty" ("Les origines de la beauté") [a]www.lesoriginesdelabeaute.com[/a]

avec les sous-titres FRANÇAIS ici: https://www.youtube.com/watch?v=QrmnDt93vus&list=PLWHPZn_zI3_bA1qhce9HOGS4RiMzRpC_Q&index=18

About Ossetian people here: https://en.wikipedia.org/wiki/Ossetians

Don't miss the release of the full version of the film.
To be continued ...

© Les origines de la beauté
PRODUCTION: © NBRECstudio, https://vimeo.com/nbrecstudio
MUA: Diana Bodruh https://www.instagram.com/diana_bodruh/
MUSIC: Traditional Ossetian motifs
DATE and PLACE: 19 of October 2018, Paris, Studio Valmy https://studiovalmy.com/
______________________________________________
Help the project "The Ethnic Origins of Beauty" to continue their mission, make a donation:
https://www.donationalerts.com/r/les_origines
______________________________________
"The Ethnic Origins of Beauty" (Les origines de la beauté) is a non-profit, artistic, documentary and research project about the ethnic diversity of mankind, presented through the beauty of women of all ethnic groups of the world.
The objectif of this project is to show the real scale of ethnocultural diversity in a full, systematic and creative way; to illustrate each and every distinctive ethnicity, however small it is, and whatever its official status.

The project “The Ethnic Origins of Beauty” received the acknowledgment of UNESCO and was first officially presented at an exhibition devoted to international women’s day in March 2014, at its Parisian headquarters.

The project started in 2012, but it is only in the early stages of its realisation and in constant need of help. We would appreciate any kind of support, cooperation or partnership.

© Les origines de la beauté
All rights reserved
The reposting of the information and photos of the web-site is allowed only with the notion of the project name, the name of the author and reference to the website or the official Facebook page of the project:

CONTACTS for the participation and support of the project:
The Association for support to the project "The Ethnic Origins of Beauty"
65, rue de Rennes
Paris 75006, France
Теl.: +33668656824
E-mail: lesoriginesdelabeaute@gmail.com
Official web-site: [a]www.lesoriginesdelabeaute.com[/a]
Facebook: https://www.facebook.com/Les-o....rigines-de-la-beaut%
INSTAGRAM: lesoriginesdelabeaute

Shichepshin - is one of most alive archaic music traditions of Caucasus.
Performer: Artur Abid
Исполнитель: Артур Абид

ШыкIэпщын / ШыкIэпшынэ / Шичепшин
Шичепши́н (шикепши́на, адыг. шыкIэпщын, кабард.-черк. шыкIэпшынэ, от шы — «конь», кIэ — «хвост», пщын(э) — «музыкальный инструмент») — адыгский традиционный струнный смычковый инструмент
VISIT OUR STORE: https://www.inspireuplift.com/....shop/ANTPLATmusicali
OUR SOCIAL MEDIA:
https://www.facebook.com/antplat.instruments
http://instagram.com/antplat_instruments
http://vk.com/antplat_instruments

SiPac is an old Circassian Folk Song.

Performed by:
Ali Khachak - Vocal
Zamanbi Irugov - Accordion
Boris Lando - Drums
Viktor Khomenko - Bass
Aslan Gotov - Keyboards, arrangement & back vocals
Inal Gotov - Guitar, percussions & back vocals
Magomed Anchekov - Pkhachich & percussions
Alan Gotov - Back vocals
Ruslan Neguch - Video editing

Watch how to say and pronounce "aquablare"!
Listen our video to compare your pronunciation!

The video is produced by yeta.io.

09.07.2008, Petrovsky stadium <br />Zenit - Spartak Nalchik (3-4), zenit ultras video.

Япымрэ Непэрэ - Then & Now - Circassian tales Episode 2
Andy & Aibek surprised by Zoher while instead of guardian the horses, they deside to
take a break and eat.
in this Episode, Zoher will take you to a tour about the circassian Kitchenware.

Join our FREE Circassian Online classes and learn how to read, pronounce, and write in Circassian Language! We offer Wednesday and Saturday Circassian Online Classes for FREE via ZOOM. If you want to join us visit our Facebook group page, join the group and send us a message.

Facebook group page- https://www.facebook.com/groups/adighebza

To know more about the Circassian Language please visit our website: http://www.nassip.org/

For effective learning of the Circassian Language, we are using the Teaching Proficiency through Reading and Storytelling or TPRS. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with the TPRS method.

Da tempo volevo insegnare questa danza a lezione, dovendo aspettare ancora a lungo prima di poterlo fare ho approfittato della reclusione per danzarla in prima persona. Il Circassian Circle è una danza tradizionale che si trova in molti manuali dell'Ottocento. Le varianti sono molteplici ma si assomigliano tutte. In particolare mi affascina questa versione, descritta dal Maestro Thomas Hillgrove nel suo manuale pubblicato a New York nel 1857. Curiosamente nella riedizione del medesimo manuale dell'anno successivo questa danza è stata eliminata.
La particolarità di questo manuale rispetto agli altri è che dà la descrizione precisa di dieci diverse sequenze (dieci! esatto) che chiama "figure". Quindi ci siamo divertiti a farle tutte quante, una dietro all'altra.
Ho fatto la scelta di danzarla "alla scozzese" quindi con la tecnica di passi e figure della RSCDS: anche se probabilmente non è la scelta storicamente più esatta, è sicuramente quella che preferisco stilisticamente; ballare il Circassian con una musica francese o camminando sono entrambe ozpioni deprimenti...
Ovviamente essendo solo due coppie nella progressione abbiamo dovuto aggiungere una curva per poterci nuovamente fronteggiare: l'originale prevederebbe di proseguire dritto incontrando la coppia successiva.
Infine notare come la versione ufficiale dell'RSCDS (il Circassian è la terza danza che l'RSCDS ha pubblicato, dopo Petronella e Triumph, quindi anche l'RSCDS ha attribuito a questa danza grande valore tradizionale) ha come progressione la Poussette, che non è presente in nessuna di queste 10 sequenze!

#maledettovirustisconfiggeremo

---------------------------------------------------

Since long time I wanted to teach this dance in class, having to wait a lot before I could do it, I took advantage of the lockdown to dance it in first person. Circassian Circle is a traditional dance present in many 19th century dance manuals. The variations are many but they all look similar. In particular I am fascinated by this version, described by M° Thomas Hillgrove in his manual published in 1857 in New York. Curiously in the re-edition of the same manual of the following year this dance has been eliminated.
The peculiarity of this manual compared to the others is that it gives an exact description of ten different sequences (ten! Exactly) that he call "figures". So we had fun doing them all, one behind the other.
I made the choice to dance in "Scottish way" with the RSCDS technique for steps and formations: although it is probably not the most historically exact choice, it is certainly the one I prefer stylistically; dancing the Circassian with French music or walking it are both depressing.
Obviously being only two couples in the progression we had to add a curve to face each other again: the original says to continue forward to meet a new couple.
Finally note how the official version of the RSCDS (the Circassian is the third dance that the RSCDS has published, after Petronella and Triumph, therefore the RSCDS itself has attributed it great tradition) has the Poussette as progression, which is not present in any of these 10 sequences!

#damnvirustwewilldefeatyou

Hayreddin Pasha (Arabic: خير الدين باشا التونسي‎, Khair al-Din Pasha al-Tunsi, c.1822-1890) was an Ottoman politician who was born to a Circassian family , and became a Grand vizier of Ottoman Tunisia then a Grand vizier of the Ottoman Empire. He was a Ottoman Tunisian political reformer during a period of growing European ascendancy. He rose to become the chief minister of the state.

Of Circassian origin, Hayreddin was born in Abkhazia into "a family of warrior notables". His father Hassan Leffch, a local chieftain, died fighting against a Russian attack on the city of Sukhum. Thereafter as a young orphan Hayreddin was sold into slavery, then still a familiar event for Circassian youth. At Istanbul, however, he was eventually traded into a prestigious household, that of the notable Tahsin Bey, a Cypriot Ottoman who was the naqib al-ashraf (head of the Prophet's descendants) and qadi al-'askar (chief judge of the army) of Anatolia, and a poet.

Tahsin Bey moved the boy to his country palace at Kanlica near the Bosporus, where he became the childhood companion of the Bey's son for a span of years. Khayr al-Din received a "first-rate education" which included the Islamic curriculum, also the Turkish language, and perhaps French; yet he was not raised as a mamluk. Following "the son's tragic premature death" Khayr al-Din was again sold, in Istanbul by Tahsin Bey to an envoy of Ahmed Bey of Tunis. This new uprooting would obviously provoke emotional turmoil in Khayr al-Din, then about 17 years old. Soon he was on board a ship bound for Africa.

Circa 1840 Hayreddin became situated at the Bardo Palace, in the court of Ahmad Bey (r.1837-1855), as a mamluk bi-l-saraya [inner palace retainer]. He resumed his high-level studies, mainly at the Bardo Military Academy (al-maktab al-Harbi) a nearby institution newly established by the bey. A key part of his education now was learning to converse in Arabic, also acquaintance with French. At the Husaynid court he abilities were soon recognized; he became favored with the attention and trust of Ahmad Bey. He rose quickly in the elite cavalry, the nucleus of the bey's new army. Moreover, during the 1840s and 1850s he was sent by the Bay on several key diplomatic missions, e.g., to the Ottoman Porte at Istanbul, which was then pursuing its Tanzimat reforms, and to European capitals, including Paris. His political career thus began auspiciously under this famously modernizing ruler.

In 1846 he accompanied the bey, as part of small staff which included the influential advisor Bin Diyaf, during a two-month state visit to France. This trip was of a special cultural and political significant in that the orthodox bey traveled for an extended stay to a non-Islamic country in order to acquire familiarity with its modern methods of operation and governance. The trip "expanded the cultural space deemed acceptable for Muslim rulers." The French took care to show France to advantage; the small Tunisian party was well received by top government officials and leading private citizens. "Having traveled beyond the land of Islam, Ahmad Bey was blessed upon his return to Tunis by the grand mufti." In 1853 Hayreddin was elevated to the highest military grade, commander of the cavalry; he also then became an aide-de-camp of the bey. Yet shortly thereafter he was sent to Paris to arrange a loan for the bey's regime, but where instead he spend four years attempting to reclaim large sums embezzled by the notable Mahmud bin 'Ayyad, former head of the newly created national bank of Tunis, who with foresight had already secured French citizenship. During his years occupied with negotiations in Paris, Hayreddin also managed to browse libraries and bookshops, to improve his French, asking many questions, and to study European society, industry, and finance.
Because of the dire financial situation caused in part by the embezzlement of bin 'Ayyad, the bey's loan did not appear prudent to Hayreddin, according to Prof. Abun-Nasr. Nonetheless, the bey had stifled most political opposition to his financial schemes by long cultivation of the urban ulama and the rural tribal leaders. Due to Hayreddin's passive resistance, however, the loan was still being negotiated when Ahmed Bey died in 1855.

Great Dance Art Appreciation with Kiama Sutra 'Seduction' Movements

Circassia