Roxanna clashes with her father as she rises at DeGraaf’s. Graham’s ambition to get back in the auction world lands him in the boxing ring. Using questionable methods, Brukner courts the talented curator Isabel Perry. When Davenport’s latest art conquest goes up in flames, he reaches out to Graham.

A historical fact that explores the tragic fate of the Circassian people at the hands of the Russian Empire in the 19th century. The video delves into the history of the Circassians, their culture and way of life, and their resistance to Russian expansionism. It also sheds light on the Russian government's policies of ethnic cleansing and forced migration, which resulted in the deaths of hundreds of thousands of Circassians and the displacement of the survivors. The video aims to raise awareness about this little-known chapter of history and its lasting impact on the Circassian people and the Caucasus region as a whole.

Buz pateniyle kafkas dansı

Demirkapı köyünden İlkerin düğünündeki en güzel çerkez kızı bu işte...

Кавказ Сила - Caucasian Rap -- Armenia / Chechnya / Groegia / Dagestan / Ingushetia / Ossetia / Kabardino-Balkaria / Adyghea / Karachay-chekessia / Nagorny-Karabakh, Abkhazia / Ossetia / Nakhichevan / <br />Кавказ Сила Кавказский Рэп - Армения / Чечня / Грузия / Дагестан / Ингушетия / Осетия / Кабардино-Балкария / Адыгэ / Карачаево-Черкесия / Нагорно-Карабах, Абхазия / Осетия / Нахичевань / <br />Kavkaz Sila Caucase Rap - Arménie / Tchétchénie / Géorgie / Daghestan / Ingouchie / Ossétie / Kabardino-Balkarie / Adyghe / Karatchaïévo-Tcherkessie / Haut-Karabakh, de l'Abkhazie / Ossétie / Nakhitchevan /

Creating a family tree is an excellent way to learn more about your roots, heritage, culture, and identity.
Join us:
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#Circassianheritage #CircassianCulture #Northcaucasus #Adygea #kabardinobalkaria #Circassianhistory #Cherkessia #CircassianLanguage #Circassianhistory #CircassianDiaspora
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Performed by: Khusin Gotov - Vocal, Madin Stash - Kamyl, Anton Davidyants - Bass
Aslan Gotov - Keys, Back vocal, Boris Lando - Drums, Percussions, Inal Gotov - Guitar

The Circassian Circle appeared in the British ballroom in the 1820s from a concept of arranging a popular quadrille or country dance figure in a progressive Sicilian circle. It became very popular in several main forms and further versions evolved via the folk process in the villages of the British Isles. It was still very popular in Australia as a ballroom dance in the early decades of the 20th C enjoying a place on programmes up till the 1930s as part of the Old Time Dance revival. Any references to Circassian Circle up until then relate to these forms, part 2 did not exist till introduced through British folk dance revivals and the Australian ‘bush dance’ movement of the 1960s and 70s; ‘part 1’ was then used to distinguish the original progressive Sicilian style.
Thus the version commencing with the ‘right & left’ movement has been taken from figure 1 of ‘The Quadrille’ or ‘First Set’ and the version with the ‘hands across & back again’ (right & left star) is from figure 1 of the Caledonians Quadrille.
Lovenberry’s MC Manual of the Ithaca School of Dancing in Brisbane 1884 lists nine different versions of Circassian Circle of which No. V is a particularly good version incorporating both figure 1 of the Caledonians Quadrille and Galop forward and back around the circle followed by a half ladies’ chain for the progression. This has been shown as version 3.
Other Circassian Circles described have adapted country dance figures such as from the Spanish Waltz into what is now known as the Waltz Country Dance, and the British folk dance ‘Cottages’ can be linked to a Circassian Circle arrangement from figure 4 of the Lancers, whilst the American version of the Soldier’s Joy is a Circassian Circle adaptation from an earlier Country Dance by that name.
Circassian Circle part 2 was not known by that name in Australia till the 70s bush dance revival, but was known under the name of Stockyards or Bull Ring as a final figure of the Quadrille (First Set).
Video footage by dancers and friends of Bush Dance & Music Club of Bendigo, directed by Peter Ellis at Sedgwick, Victoria Australia, October 2014.

24 Mayıs 2014, Çerkes Soykırımı Protestosu

Acoustic live version of the song called “Circassian lads” from album “electronic tradition”. “One shot one take” video produced and prepared for release by Auladin Khushtov.

https://www.patreon.com/hagauj

Original Hagauj logo, font and photo cover for music video created by Andzor Shaov.

Sound engineer and acoustic guitar Aslan Apazh

Drum and back vocal Idar Naloev

acoustic guitar and lead vocal Thashloko (Kerefov) Tembulat

Акустическая версия песни «Черкесские парни» из альбома «электронная традиция». Видеоклип снят одним дублем и подготовлен к релизу Хуштовым Ауладином. Оригинальный логотип, шрифт и кавер фото для релиза создан Анзором Шаовым.

Lyrics

Губгъуэр зи унэу
Зек1уэр зи хабзэу
шыщхьэмыгъазэу
Уеуэм къоуэжу
Джалэм тэджыжу

Щ1эпхъуэм зэуэк1ыжу
Къуажэр имыбгынэу
Унэр игъэунэу

Анэр игъэлъап1эу

Адыгэ щ1алэ уей
Ди щ1алэгъуалэ уей
Адыгэ лъэпкъыр псэу
Адыгэ хабзэр псэу
Адыгэ щ1алэ уей
Ди щ1алэгъуалэ уей


Губгъуэ тхьэрыкъуэу
1уэхутхьэбзэрыщ1эу
емылыджыр
Куэпкък1э зэришэу

Л1ыхъум я нэхъ хахуэр игъэныбжьэгъууэ
Пщащэм я нэхъ дахэр и дэджэгуэгъууэ

Адыгэ щ1алэ уей
Ди щ1алэгъуалэ уей

Адыгэ лъэпкъыр псэу
Адыгэ хабзэр псэу

Адыгэ щ1алэ уей
Ди щ1алэгъуалэ уей

бийм зэ щ1эк1иймэ
И гур хуи1уихыу
Бийм зэ щ1эгуоумэ
Т1оу Игъэгъуэгыу

Хьет жыригъа1эу
Батэр игъэшыу
Зэш тригъэун щхьэк1э
Шэфийм дэджэгууэ

Жылэр игъэгушхуэу
Зэшхэр иущийуэ
Щауэгъу зи бащэу
Уэнк1э емынэжьу

Адыгэ щ1алэ уей
Ди щ1алэгъуалэ уей
Нэхъыжьым псалъэр ей
Нэхъыщ1эм гъуэгур ей
Адыгэ щ1алэ уей
Ди щ1алэгъуалэ уей

Адыгэ лъэпкъыр псэу
Адыгэ хабзэр псэу

Thashloko
2020

На свадьбе Дзыбовых Circassian National Art Film

“VURDULAR BİZİ” <br /> <br />İstanbul Ataşehir Konseri 2017 <br /> <br />Sanatçı Ferhat Tunç’un son İstanbul Konserlerinden biriydi. Bu konserde seslendirdiği eserlerden biri olan “Vurdular Bizi” 10 Ekim Ankara Gar Katliamında yitirdiklerimizin anısına yapılmış bir ağıt. Söz ve Müziği sanatçının kendisine ait. <br /> <br /> <br />They Shot Us <br /> <br />We got on the road to have peace <br />We held hands at Ankara Terminus <br />Blood on this field sings our lips <br />Dancing Halay they shot us <br /> <br />Woman, Children, Elderly, Young <br />Turkish, Kurdish, Laz and the Circassian <br />Sharing the joy of tomorrow <br />We wanted to live they shot us <br /> <br />Like Anatolia our colours are plenty <br />A flood of hope is our fraternity <br />Our only wish is living in liberty <br />We wanted to call they shot us <br /> <br />In Ankara terminus blood painted us <br />As if doomsday we fall side by side <br />How can one bear such pain <br />Damned fate they shot us <br /> <br />Words and Music By Ferhat Tunc <br />Translated by Hulya Kasap

Concert pour l'anniversaire de l'Université d'Etat à la philarmonie de MAIKOP. <br />©ADAGP/TURLURE 2010

Instant Kama

www.adigeblog.wordpress.com

On the 158th anniversary of the Circassian Exile, one of the most upsetting events in human history, we commemorate the Circassians with mercy as they were martyred and displaced from their homeland while defending it.

Circassian Short Film “Land of the Narts”

Scene from the short film “Land of the Narts” [“Нарт Хэку”] (2015).
In Circassian (and some Russian), with English subtitles (By Centre for Circassian Studies).

Produced by Beslan Zeik’werey. Directed by Oleg Hemiqwe.

Actors:
Modern Russified Circassian: Vladimir Biytoqw.
Ancient Nart: Ahmed Hemirze.

The film laments the loss of the Circassian language and traditional norms of conduct in urban Kabarda (Eastern Circassia), the only place on Earth where the Circassians form a majority.

Watch the whole film: [https://www.youtube.com/watch?v=kugnxRouVcg]