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This video is deep feeling video with music from the movie the Kama Sutra 2015 all rights reerved by Angelcraft Crown Entertainment and Angelcraft Crown Entertainment Hotel Food Luxury Resorts <br />http://angelcraftcrownentertai....nmenthotelfoodluxury <br />Kama Sutra is the inspiration for the new Song of Solomon rewritten by Prince Jose Maria Chavira M.S. Adagio I - the reincarnation of King Solomon, Sidartha Guatama and the Jesus Christ. <br />Read the New Song of Solomon at Rex Intima <br /> https://rexintimarulerofmyinne....rmostparts.wordpress <br /> <br />The New Book has been commissioned by God's Holy Spirit for an opera, a ballet, a light opera modern dance production
09.07.2008, Petrovsky stadium <br />Zenit - Spartak Nalchik (3-4), zenit ultras video.
Join us as we uncover the tragic story of the Circassian Genocide of 1864 - a dark chapter in Russian history that has been overlooked for too long. Through in-depth research and powerful testimonies, we shed light on the atrocities committed against the Circassian people and the lasting impact of this horrific event. Don't miss this important reminder of the importance of acknowledging the truth of our shared history.
Join our FREE Circassian Online classes and learn how to read, pronounce, and write in Circassian Language! We offer Wednesday and Saturday Circassian Online Classes for FREE via ZOOM. If you want to join us visit our Facebook group page, join the group and send us a message.
Facebook group page- https://www.facebook.com/groups/adighebza
To know more about the Circassian Language please visit our website: http://www.nassip.org/
For effective learning of the Circassian Language, we are using the Teaching Proficiency through Reading and Storytelling or TPRS. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with the TPRS method.
Япымрэ Непэрэ - Then & Now - Circassian tales Episode 2
Andy & Aibek surprised by Zoher while instead of guardian the horses, they deside to
take a break and eat.
in this Episode, Zoher will take you to a tour about the circassian Kitchenware.
Da tempo volevo insegnare questa danza a lezione, dovendo aspettare ancora a lungo prima di poterlo fare ho approfittato della reclusione per danzarla in prima persona. Il Circassian Circle è una danza tradizionale che si trova in molti manuali dell'Ottocento. Le varianti sono molteplici ma si assomigliano tutte. In particolare mi affascina questa versione, descritta dal Maestro Thomas Hillgrove nel suo manuale pubblicato a New York nel 1857. Curiosamente nella riedizione del medesimo manuale dell'anno successivo questa danza è stata eliminata.
La particolarità di questo manuale rispetto agli altri è che dà la descrizione precisa di dieci diverse sequenze (dieci! esatto) che chiama "figure". Quindi ci siamo divertiti a farle tutte quante, una dietro all'altra.
Ho fatto la scelta di danzarla "alla scozzese" quindi con la tecnica di passi e figure della RSCDS: anche se probabilmente non è la scelta storicamente più esatta, è sicuramente quella che preferisco stilisticamente; ballare il Circassian con una musica francese o camminando sono entrambe ozpioni deprimenti...
Ovviamente essendo solo due coppie nella progressione abbiamo dovuto aggiungere una curva per poterci nuovamente fronteggiare: l'originale prevederebbe di proseguire dritto incontrando la coppia successiva.
Infine notare come la versione ufficiale dell'RSCDS (il Circassian è la terza danza che l'RSCDS ha pubblicato, dopo Petronella e Triumph, quindi anche l'RSCDS ha attribuito a questa danza grande valore tradizionale) ha come progressione la Poussette, che non è presente in nessuna di queste 10 sequenze!
#maledettovirustisconfiggeremo
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Since long time I wanted to teach this dance in class, having to wait a lot before I could do it, I took advantage of the lockdown to dance it in first person. Circassian Circle is a traditional dance present in many 19th century dance manuals. The variations are many but they all look similar. In particular I am fascinated by this version, described by M° Thomas Hillgrove in his manual published in 1857 in New York. Curiously in the re-edition of the same manual of the following year this dance has been eliminated.
The peculiarity of this manual compared to the others is that it gives an exact description of ten different sequences (ten! Exactly) that he call "figures". So we had fun doing them all, one behind the other.
I made the choice to dance in "Scottish way" with the RSCDS technique for steps and formations: although it is probably not the most historically exact choice, it is certainly the one I prefer stylistically; dancing the Circassian with French music or walking it are both depressing.
Obviously being only two couples in the progression we had to add a curve to face each other again: the original says to continue forward to meet a new couple.
Finally note how the official version of the RSCDS (the Circassian is the third dance that the RSCDS has published, after Petronella and Triumph, therefore the RSCDS itself has attributed it great tradition) has the Poussette as progression, which is not present in any of these 10 sequences!
#damnvirustwewilldefeatyou
During the revival of nature, the spirits first return to the air, then water and lastly, to the earth, with a week in between each. It is celebrated in the Spring Equinox the day that the spirits return to the earth, in the name of Sozeresh, besides Tkhashkho. It is accepted as the end of Winter and the beginning of Summer in the Circassian Solar calendar. It is both a familial and communal holiday.
His idol, the seven-branched hawthorn was kept in the granaries of the homesteads. On the evening of the day before the Vernal Equinox, the members approach the granary. The daughter-in-law of the household would enter the granary and lock the door. She would then light the seven candles affixed on the branches of the idol, herself facing east. The senior male member of the house would call out to the Golden Rider: “Sozeresh, open the doors and let us in!” She would then go in and fetch the idol, open the doors and bring it in front of the family hearth with cheer and music from the others. It would be placed erect, its seven branches adorned with seven candles and a wheel of smoked Circassian cheese attached in the centre. The members of the household then would join hands around the idol and the matron of the family or the eldest daughter would make the prayer:
Sozeresh!
We thank you for the harvest of the Summer,
We beseech you to give us bountiful harvest in the future,
We beseech you, Sozeresh,
To protect our harvest from theft and our barn from fire!
The next ritual is called Masch’oshkhatykh (МашӀошхьэтыхь) “The Hearth Sacrifice”, which is held in each and every household simultaneously right after the extraction of the Sozeresh’s idol. The feasting began after the immolation of a black cow or black ram or black hen depending on the wealth of the family in the consecrated hearth, after which the Tkhamade would line up along with the members of the household by the hearth and voice the prayer and raises a toast, concluding the ritual:
With lasting fire in our hearth,
And well-lit and hot stoves,
Lacking no victuals to boil,
Nor crops to cook,
May Tkhashkho see us through next year!
The next phase is the feast, during which all sorts of food and drink are served throughout the night, and games are played to pass the time. This is to prevent oneself from falling asleep, for it is an ill omen and bad luck to slumber during this auspicious night. Before dawn, all able-bodied attendants would go to a nearby body of water such as a river or a stream and wash, no matter how cold the water may be, hardening their bodies and tempering their souls.
After coming out of the water, drying and warming themselves, people would gather in the sacred grove. They would tie colourful ribbons on the branches of the elder oak, naming their wish with the tightening of the knot. At dawn, everyone would face the east and greet the sun. The Tkhamade, with a bowl of bakhsym in one hand and a cheese pie in the other, would make a prayer:
O’ New Year’s light,
Enter out homes bringing happiness and goodness with you!
May disease and misfortune bypass us
A peaceful sky shine over us,
And our hearth be full of food,
And everything that your heart desires is in our hands!
Let's say “Amin” so that the coming year will be happy for all of us!
Throughout the following two days after the day of Vernal Equinox, relatives and neighbours would begin visiting one another to vocalise their wishes for them. The visitors would not recite the cliche wishes such as health, abundance, wealth, et cetera but directly name things that the members of the household lack and very much like to have. This was done by first asking for the thing or things from the host that they know they don’t have, to which the host replies saying that they would have never refused to serve the things that they ask for had they had them in the first place, and so the guests express their wishes.
Khurome (Хъуромэ) is an originally pagan holiday practise, later adapted into Christianity and celebrated on the 7th of January as the Orthodox Christmas. It seems as though Khurome normally was a continuation of the New Year celebrations, done during the second and/or third day of the three-day holiday, in which elders would parade the settlement, announcing their toasts, while the young collect food from doors while singing praises and wishes of abundance and health.
Households would donate their food generously, as the deed would soothe the troubled souls of the deceased, also because the year to come would be exiguous for the stingy. After the completion of these parades, the groups would convene in a designated place to cook and eat the food.
At the end of the three days, the idol of Sozeresh would then be taken back to the granary, where it would rest until the next year’s celebrations.
The day after, adults would begin a fast that lasts for forty-eight days, abstaining from meat and eggs.
Source: Khabzist Paganism © 2023 Forge of Tlepsh Digital Art Workshop
Coup de coeur, coup de gueule, un avis sur la Paris Games Week, sur les t-shirts de Lespol, vous avez la parole...
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