King Abdullah II Visit to the Circassian Charity Association (Translated)

Watch as we give our Franna crane winch a complete transformation! First things first we’re getting everything cleaned up using the hotwash for the internal planetary gears and blasting the plates clean with our dustless blaster. But this rebuild isn't just about shining up old parts. We'll be machining brand new components for the cable tension adjuster, starting with making the bosses and shaft with our lathe before drilling and tapping holes for the grub screws in our milling machine. We also countersink the spring arm plates to give a seamless fit for the bolts. With the new parts ready, it's welding time! We'll weld the adjuster plates and bosses together and while the welds cool, we’ll begin meticulously re-assembling the winch. We start with carefully assembling all the planetary gears before they get installed back into the winch drum. Then the plates get bolted in place, before the rebuilt hydraulic motor gets installed and finally, the brand-new cable tensioner takes its place. And just like that, the once-tired winch is reborn! To finish it all off, we'll give it a fresh coat of paint, making it look (and function) as good as new! Stay tuned for the next Franna crane project video or catch up on all the previous videos below 😎👇
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In this video we are using:
- QunatumBlast RapidBlast™ SD140
- Hafco TM-1740G Centre Lathe
- Hafco BM-63VE Milling machine
- WIA 500i Weldmatic welder

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We're a down-to-earth real life machining and fabrication workshop in Australia. We specialise in helping business in mining and earthmoving to keep their machines running smoothly. We love working on broken parts and the bigger the better! We upload new videos every week showcasing machining, welding, line boring, honing and all the other awesome stuff that goes down in our workshop. Learn how we tackle different projects and see the satisfaction of creating something useful. Subscribe to stay updated on our latest jobs and projects! Follow us on Patreon for even more content and behind-the-scenes glimpses or find us on Tiktok, Facebook and Instagram for a chance to connect with us.

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Sayın Cumhurbaşkanımız Ganogo Arsen'in Kayseri ziyareti şerefine verilen akşam yemeğinden bazı kareler...Adige,Kabardey,Abhaz,Şapsığ,Besleney,Ubih,Abzex,Ceug,Çerkes,şeşen...

TYPE-MOONが贈る、「Fate」RPG。
期間限定イベント「踊るドラゴン･キャッスル！ ～深海の姫君とふたつの宝玉～」告知TVCM
アニメーションパート制作：WIT STUDIO

コンテ：イシイ サトシ
演出：荻原 健

作画監督：近藤 綾(WIT STUDIO) 　芳山 優
原画：石川 拓見　小琳
　　　中島 舞

　　　 WIT STUDIO
　　　 胡 拓磨　竹内 風子
第二原画：松川 歩 Andrej Selic

　　　　 WIT STUDIO
　　　　　近藤 綾　服部 花香
　　 　　 柏崎 惟乃里

動画検査：三瓶 苑美(WIT STUDIO)
動画：三瓶 苑美(WIT STUDIO)
　 　A-Real BEEP
色彩設計・色指定・セル検査：小松 亜理沙(WIT STUDIO)
仕上げ：A-Ral BEEP
美術監督：さめしま きよし
美術：さめしま きよし　本田 敏恵
　　　牟田 いずみ　　　本間 禎章
　　 谷川 広倫 (WIT STUDIO)
美術管理：梶下 智之
撮影監督：横井 武尊 (WIT STUDIO)
撮影：横井 武尊 (WIT STUDIO) 　伴 里佳子 (WIT STUDIO)
　　　近江 皓太 (WIT STUDIO) 　中川 智裕 (WIT STUDIO)
3DCG：松本 拓己 (WIT STUDIO)

録音スタジオ：qooop
　　　　　　　二川 裕
オンライン編集スタジオ：qooop
　　　　　　　　　　　 和田 玄太
スタジオコーディネート：杉原 聖　大野 真由子

プロデューサー：中武 哲也
アニメーションプロデューサー：河村 崚磨
アシスタントプロデューサー：佐藤 慧介
制作進行：浅岡 亮太
スペシャルサンクス：リファレンスサジ

アニメーション制作：WIT STUDIO

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The choreography performed by the Ensemble of Kabardinka is a collection of various Circassian dance figures and influenced by the Western Adyghe tribes Ubykh, Natukhay and Shapsug who once used to populate the Black Sea coasts of the Northwest Caucasus for thousands of years with their Abkhazian cousins before they were completely exiled from the region by Russian Empire in 1864. They lost more than three quarters of their populations during the Circassian Exile. The aggression and the later actions against the native people of the region by Russian Empire are considered the first modern systematic genocide by many historians and it was a role model for later genocides committed by different countries around the world although the only country officially recognizing it is Georgia. Today most of Circassians live outside of their native homelands scattering around the world. As a result Ubykh language went completely extinct in 90's and other ethnic groups/languages are waiting for the same fate.

There are many ancient elements during the performance reflecting some of the very old rituals of Circassians. The Circassian Circle is an important symbol and its origin goes back to the old Pagan culture. There were relics or sometimes a tree representing the Deities in the center of the circle in earlier times. Circassians would dance around the relics singing songs and hymns specific to the ritual's theme like funeral, wedding, harvesting, holy days, etc. The dancing area was accepted as a holy place and no one could enter without permission. The Hatiyago/Ceguako (the solo dancer who has a ritualistic stick) is portrayed as one of its earliest forms and has complete control over the ceremony like an ancient priest. Every dancer/member of the community should obey the Hatiyago's directives to take place the ceremony properly.

Nowadays this character has significantly changed from its origins mostly because of Islamic influences, although is still an important part of Circassian weddings. Today they generally act as a supervisor/organizer in the weddings, but in ancient times their missions were much more than that. They supervised important ceremonies like weddings as it's today but also they had a vital mission to represent and carry anything related to Circassian society, like traditions, music, songs, mythology and history to the next generations. They were the living memories of Circassians who had only oral lore.

All rights belong to Kabardinka.

unbreakable cricket world records #fyp #tamilfacts #interestingfacts #tamilnews #shriram vox

Circassians are one of the North Caucasus' nations, the region with a diverse and rich culture - although their music is quite obscure, especially outside of this region. Punk-ethnographic label Ored Recordings from the small city of Nalchik explore cities and villages, aiming to find traditional, local, ethnic music of the Caucasian people. Ored Recordings takes different approaches towards traditional Circassian music in its current state: from authentic storytelling to modern post-folk music and black metal, in which melodies and images of Circassian ritual culture are revised.

The Reporter
Ored Recordings is an independent ethnographic project from Kabardino-Balkaria (southern Russia), founded in 2013 by Bulat Khalilov & Timur Kodzokov. Ored Recordings travels to towns, villages and mountain settlements in Kabardino-Balkaria, Adygea, Southern Dagestan and Azerbaijan in search of folk musicians. The guiding principle of the project is the use of recordings made in the field: Ored only uses live recordings and are opposed to studio work with archaic folk music. They are interested in living sound that captures a specific moment with its special atmosphere and natural imperfections. Ored Recordings is keen to popularize and manifest the artistic potential of traditional music. The creators of the label value Circassian legends, Cossack songs, and the Sufi rituals of Chechnya. They collect field recordings from dinner parties, services of worship and festivals. They are interested in questions of authenticity, personality and canon. The group members give lectures to accompany their musical program, focusing on how local, folk art exists in the modern global information space.

About Reports from Other Continents
Le Guess Who? has launched its new video production ‘Reports from Other Continents’, in which people from all over the world share video reports on topics such as art, music, culture, and social life from within their local community. It’s a platform for people to tell their own story. Normally, Le Guess Who? shares these kinds of special stories about worldwide musical traditions and cultural developments through concerts and performing artists; now the festival has found a way to do so online.

All reports are made specifically for Le Guess Who? and are commissioned by the festival.

Animation by Dan Tombs / 2MS
Theme music by Ben Shemie
https://www.leguesswho.com

The Mikoyan-Gurevich MiG-21 (Russian: Микоян и Гуревич МиГ-21; NATO reporting name: Fishbed) is a supersonic jet fighter and interceptor aircraft, designed by the Mikoyan-Gurevich Design Bureau in the Soviet Union. Its nicknames include: "balalaika", because its planform resembles the stringed musical instrument of the same name; "Ołówek", Polish for "pencil", due to the shape of its fuselage, and "Én Bạc", meaning "silver swallow", in Vietnamese.
Approximately 60 countries over four continents have flown the MiG-21, and it still serves many nations six decades after its maiden flight. It made aviation records, became the most-produced supersonic jet aircraft in aviation history, the most-produced combat aircraft since the Korean War and previously the longest production run of a combat aircraft (now exceeded by both the McDonnell Douglas F-15 Eagle and General Dynamics F-16 Fighting Falcon).

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Abide Zeki from Fevziye Village Turkey, telling about Fevziye village and how they settled there.
find out more at www.abzakh.com

Hayreddin Pasha (Arabic: خير الدين باشا التونسي‎, Khair al-Din Pasha al-Tunsi, c.1822-1890) was an Ottoman politician who was born to a Circassian family , and became a Grand vizier of Ottoman Tunisia then a Grand vizier of the Ottoman Empire. He was a Ottoman Tunisian political reformer during a period of growing European ascendancy. He rose to become the chief minister of the state.

Of Circassian origin, Hayreddin was born in Abkhazia into "a family of warrior notables". His father Hassan Leffch, a local chieftain, died fighting against a Russian attack on the city of Sukhum. Thereafter as a young orphan Hayreddin was sold into slavery, then still a familiar event for Circassian youth. At Istanbul, however, he was eventually traded into a prestigious household, that of the notable Tahsin Bey, a Cypriot Ottoman who was the naqib al-ashraf (head of the Prophet's descendants) and qadi al-'askar (chief judge of the army) of Anatolia, and a poet.

Tahsin Bey moved the boy to his country palace at Kanlica near the Bosporus, where he became the childhood companion of the Bey's son for a span of years. Khayr al-Din received a "first-rate education" which included the Islamic curriculum, also the Turkish language, and perhaps French; yet he was not raised as a mamluk. Following "the son's tragic premature death" Khayr al-Din was again sold, in Istanbul by Tahsin Bey to an envoy of Ahmed Bey of Tunis. This new uprooting would obviously provoke emotional turmoil in Khayr al-Din, then about 17 years old. Soon he was on board a ship bound for Africa.

Circa 1840 Hayreddin became situated at the Bardo Palace, in the court of Ahmad Bey (r.1837-1855), as a mamluk bi-l-saraya [inner palace retainer]. He resumed his high-level studies, mainly at the Bardo Military Academy (al-maktab al-Harbi) a nearby institution newly established by the bey. A key part of his education now was learning to converse in Arabic, also acquaintance with French. At the Husaynid court he abilities were soon recognized; he became favored with the attention and trust of Ahmad Bey. He rose quickly in the elite cavalry, the nucleus of the bey's new army. Moreover, during the 1840s and 1850s he was sent by the Bay on several key diplomatic missions, e.g., to the Ottoman Porte at Istanbul, which was then pursuing its Tanzimat reforms, and to European capitals, including Paris. His political career thus began auspiciously under this famously modernizing ruler.

In 1846 he accompanied the bey, as part of small staff which included the influential advisor Bin Diyaf, during a two-month state visit to France. This trip was of a special cultural and political significant in that the orthodox bey traveled for an extended stay to a non-Islamic country in order to acquire familiarity with its modern methods of operation and governance. The trip "expanded the cultural space deemed acceptable for Muslim rulers." The French took care to show France to advantage; the small Tunisian party was well received by top government officials and leading private citizens. "Having traveled beyond the land of Islam, Ahmad Bey was blessed upon his return to Tunis by the grand mufti." In 1853 Hayreddin was elevated to the highest military grade, commander of the cavalry; he also then became an aide-de-camp of the bey. Yet shortly thereafter he was sent to Paris to arrange a loan for the bey's regime, but where instead he spend four years attempting to reclaim large sums embezzled by the notable Mahmud bin 'Ayyad, former head of the newly created national bank of Tunis, who with foresight had already secured French citizenship. During his years occupied with negotiations in Paris, Hayreddin also managed to browse libraries and bookshops, to improve his French, asking many questions, and to study European society, industry, and finance.
Because of the dire financial situation caused in part by the embezzlement of bin 'Ayyad, the bey's loan did not appear prudent to Hayreddin, according to Prof. Abun-Nasr. Nonetheless, the bey had stifled most political opposition to his financial schemes by long cultivation of the urban ulama and the rural tribal leaders. Due to Hayreddin's passive resistance, however, the loan was still being negotiated when Ahmed Bey died in 1855.

After playing a little innocent prank on @Jelly he decided to take things a step too far. He has trapped me in The Grove and I need to try and save mine and @MisterCrainer pets!

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People from the North Caucasus have a vague reputation in the rest of Russia. Some people consider them aggressive and try to avoid them, others simply don't understand their behavior. Let's find out why and meet the locals of the North Caucasus!

Time codes:
0:00 Shameless baths under the open sky
2:03 Caucasus Mineral Waters - group of resorts
2:33 What do locals think about Pyatigorsk?
3:21 Geography of the Caucasus
3:32 How does the Caucasus differ from Russia?
5:07 Local guide: How Pyatigorsk changed over time
9:20 Privat house that I rented in Pyatigorsk
12:28 Delicious Caucasus cuisine
13:21 Why the Caucasus stands out from the rest of Russia?
14:41 Pyatigorsk is a melting pot of cultures. But all people are united by...
16:00 I'm going further to Chechnya

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https://youtu.be/Zsi3Naelsyw - Life in a provincial Russian town in the Urals | Perm

https://youtu.be/mTGWjF62yN8 - More about Pyatigorsk | Soviet districts, mineral waters and Caucasus resorts

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24 Mayıs 2014, Çerkes Soykırımı Protestosu