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katusha next to kfar giladi
#Çərkəzrəqsi
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Супер Адыгэ джэгу circassian dance circassian wedding adıge cegu çerkezler çerkesler dünyanın en güzel düğünü dünyanın en güzel şarkıları Нальчик Майкопе краснодар сочи circassia cherkessia Туапсинского cherkes Черкесск черкесский çerkez düğünü böyle olur
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Музыка: Руслан Барчо, Нагоев Заур
Хореография, исполнение: София Езекер
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Ceilidh dancing is easy as these new dancers show.
Tut Zaur - Ozo Murat , Circassian Ethnic
Lyrics here: http://www.youtube.com/watch?v=JcvAOpul5sc
Circassian heroic song
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Ghuche Zamudin and Jıu Circassian Folk Ensemble in rehearsal,
with Adyghe guests from Turkey
Maykop / February 2011
Хореография и исполнение: Езекер София
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Hayreddin Pasha (Arabic: خير الدين باشا التونسي, Khair al-Din Pasha al-Tunsi, c.1822-1890) was an Ottoman politician who was born to a Circassian family , and became a Grand vizier of Ottoman Tunisia then a Grand vizier of the Ottoman Empire. He was a Ottoman Tunisian political reformer during a period of growing European ascendancy. He rose to become the chief minister of the state.
Of Circassian origin, Hayreddin was born in Abkhazia into "a family of warrior notables". His father Hassan Leffch, a local chieftain, died fighting against a Russian attack on the city of Sukhum. Thereafter as a young orphan Hayreddin was sold into slavery, then still a familiar event for Circassian youth. At Istanbul, however, he was eventually traded into a prestigious household, that of the notable Tahsin Bey, a Cypriot Ottoman who was the naqib al-ashraf (head of the Prophet's descendants) and qadi al-'askar (chief judge of the army) of Anatolia, and a poet.
Tahsin Bey moved the boy to his country palace at Kanlica near the Bosporus, where he became the childhood companion of the Bey's son for a span of years. Khayr al-Din received a "first-rate education" which included the Islamic curriculum, also the Turkish language, and perhaps French; yet he was not raised as a mamluk. Following "the son's tragic premature death" Khayr al-Din was again sold, in Istanbul by Tahsin Bey to an envoy of Ahmed Bey of Tunis. This new uprooting would obviously provoke emotional turmoil in Khayr al-Din, then about 17 years old. Soon he was on board a ship bound for Africa.
Circa 1840 Hayreddin became situated at the Bardo Palace, in the court of Ahmad Bey (r.1837-1855), as a mamluk bi-l-saraya [inner palace retainer]. He resumed his high-level studies, mainly at the Bardo Military Academy (al-maktab al-Harbi) a nearby institution newly established by the bey. A key part of his education now was learning to converse in Arabic, also acquaintance with French. At the Husaynid court he abilities were soon recognized; he became favored with the attention and trust of Ahmad Bey. He rose quickly in the elite cavalry, the nucleus of the bey's new army. Moreover, during the 1840s and 1850s he was sent by the Bay on several key diplomatic missions, e.g., to the Ottoman Porte at Istanbul, which was then pursuing its Tanzimat reforms, and to European capitals, including Paris. His political career thus began auspiciously under this famously modernizing ruler.
In 1846 he accompanied the bey, as part of small staff which included the influential advisor Bin Diyaf, during a two-month state visit to France. This trip was of a special cultural and political significant in that the orthodox bey traveled for an extended stay to a non-Islamic country in order to acquire familiarity with its modern methods of operation and governance. The trip "expanded the cultural space deemed acceptable for Muslim rulers." The French took care to show France to advantage; the small Tunisian party was well received by top government officials and leading private citizens. "Having traveled beyond the land of Islam, Ahmad Bey was blessed upon his return to Tunis by the grand mufti." In 1853 Hayreddin was elevated to the highest military grade, commander of the cavalry; he also then became an aide-de-camp of the bey. Yet shortly thereafter he was sent to Paris to arrange a loan for the bey's regime, but where instead he spend four years attempting to reclaim large sums embezzled by the notable Mahmud bin 'Ayyad, former head of the newly created national bank of Tunis, who with foresight had already secured French citizenship. During his years occupied with negotiations in Paris, Hayreddin also managed to browse libraries and bookshops, to improve his French, asking many questions, and to study European society, industry, and finance.
Because of the dire financial situation caused in part by the embezzlement of bin 'Ayyad, the bey's loan did not appear prudent to Hayreddin, according to Prof. Abun-Nasr. Nonetheless, the bey had stifled most political opposition to his financial schemes by long cultivation of the urban ulama and the rural tribal leaders. Due to Hayreddin's passive resistance, however, the loan was still being negotiated when Ahmed Bey died in 1855.
Audio and video pronunciation of Nalchik brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Nalchik
LOREENA MCKENNITT INTERVIEW
(THE ADYGHE DOCUMENTARY - ADİGE BELGESELİ*)
Loreena McKennitt, belgeselde Kelt kökenli olması ve köklerindeki gizemi araması, Kafkasya'ya olan ilgisi ve Kafkasya ile ilgili ünlü bestesinin oluşum sürecini anlatmaktadır:
"...Ailem Kelt kökenli. Keltlerin, millattan 500 sene öncesine dayanan Orta Asya ve Avrupa'dan gelen küçük kabileler olduğunu öğrendim. Ben bunu öğrendiğim zaman, daha da ileri gitmek istedim.
Aslında Çerkes insanını tam olarak tanımıyorum. Sanırım, herbirimizin içinde geçmişimizi anlamak ve daha fazla öğrenmeye yönelik bir eğilim ve bunu anlamanın bizim gelişimimiz için ne kadar önemli olduğu düşüncesi var. Bütün bunlar beni bu deneyimin ve bu beste çalışmanın içine çekti..."
NIGHT RIDE ACROSS THE CAUCASUS
Ride on Through the night Ride on
Ride on Through the night Ride on
There are visions, there are memories
There are echoes of thundering hooves
There are fires, there is laughter
There's the sound of a thousand doves
In the velvet of the darkness
By the silhouette of silent trees
They are watching, they are waiting
They are witnessing life's mysteries
Cascading stars on the slumbering hills
They are dancing as far as the sea
Riding o'er the land, you can feel its gentle hand
Leading on to its destiny
Take me with you on this journey
Where the boundaries of time are now tossed
In cathedrals of the forest
In the words of the tongues now lost
Find the answers, ask the questions
Find the roots of an ancient tree
Take me dancing, take me singing
I'll ride on till the moon meets the sea
Loreena McKennitt
The Book Of Secrets - Night Ride Across The Caucasus
SÜR ATINI GECENİN İÇİNDEN
(KAFKASYA'YI GECELEYİN BOYDAN BOYA GEÇERKEN)
Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.
Karanlığın kadife örtüsü,
Sessiz ağaçların belirsiz görüntüsü...
Durmuş bakıyorlar.
Ki, yaşamın gizine ermiş sessiz tanıklar onlar
Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.
Mahmur tepelerde balkıyan yıldızlar,
Raks ederek, ta denize dökülüyorlar.
Sen, atını koştururken dörtnala ülkende,
Onun yumuşak eli hep üzerinde.
Nereye gidersen git,
Çizer kaderini de.
Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.
Beni de al, beni de al gezine,
Götür beni de zamanın ötesine.
Sözcükler yitip gitti,
Sığındı sesler orman mabedine.
Yanıtlar bul, sorular sor.
Ulaş köklerine o antik ağacın,
Al götür beni danslara, şarkılara
Süreceğim atımı denizin Ay'la buluştuğu ufuklara...
Sür atını! Gecenin ortasından sür!
Sür; gecenin içinden.
Loreena McKennitt
The Book Of Secrets - Night Ride Across The Caucasus
Çeviren: Çetin Öner
(*) Adige Belgeseli, Prens Ali'nin, Ürdün'den başlayıp, Suriye ve Türkiye'deki Çerkeslerin yoğun olarak bulunduğu yerlerden geçerek Karadeniz'e, oradan da Kuzey Kafkasya'ya varışını konu alıyor. Filmde, anavatanları dışında yaşayan Çerkeslerin koşulları, asimile olma sınırına gelişleri, kimlik, dil ve kültürlerini kaybetme tehlikesiyle karşılaşmaları da işleniyor.
Belgeselin tamamını izlemek için:
Bölüm-1: http://youtu.be/tsqfSgDo95I
Bölüm-2: http://youtu.be/MyPpkpZwOgY
Ученицы Школы Черкесского Танца "Хаттуса"
Хореограф – София Езекер
Музыка – Блан Жалоука