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ЛЮБА БАЛАГОВА, доктор филологических наук, поэт, президент кинофестиваля SIFFA и МОХИ КАНДУР, доктор исторических наук, исторический романист, кинорежиссёр-ветеран Голливуда коротко представляют исторические места в Иордании. Их книги можно купить на amazon.com. О кинофестивале читайте блоги на www.siffarussuk.com, программы кинофестиваля смотрите на: siffarussukonline.ru Следуйте за нами на инстаграме и Твиттере @sochifilmawards LUBA BALAGOVA, Doctor of Philology, Poet, President of the SIFFA Film Festival and MOHY KANDOUR (Quandour) , Doctor of Historical Sciences, Historical Novelist, Film Director-Hollywood Veteran, composer briefly present the historical sites in Jordan. Their books are found at amazon.com For the festival, please, follow us at our website: www.siffarussuk.com, festival online programs: siffarussukonline.ru; instagram and Twitter @sochifilmawards contact us:sochifilmawards@gmail.com
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00:00 - Intro
*1. Apsua:*
00:09 - Apsua
01:56 - Adygei
05:41 - Circassian
09:51 - Kabardin
*2. Colchian & Kartvelian:*
12:40 - Georgian
15:39 - Mingrelian
18:45 - Kakhetian
23:40 - Svanetian
26:33 - Tushetian
29:30 - Laz
32:44 - Adjarian
*3. Dagestani:*
36:50 - Avar
39:12 - Lezgin
*4. Nakh:*
45:21 - Ingush
48:59 - Chechen

Anaklia, Georgia on 21 May 2023

In this video you will have the chance to meet some of the people working everyday on Circassian related issues at the Circassian Cultural Institute.

This video was taped and edited by Edward Castner. You can find the original at http://vimeo.com/24835234

adige circassian cerkes

Welcome to my channel! This is Andy from I love languages. Let's learn different languages/dialects together.

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Ubykh or Päkhy is an extinct Northwest Caucasian language once spoken by the Ubykh tribe of Circassians who originally lived along the eastern coast of the Black Sea before being deported en masse to Turkey in the Circassian g enocide.

According to Ethnologue, a web-based publication of statistics about world languages, there were 50,000 Ubykh speakers in the Caucasus valleys a century ago. However, the number of Ubykh people is relatively low now.

If you are interested to see your native language/dialect be featured here.
Submit your recordings to otipeps24@gmail.com.
Looking forward to hearing from you!

Da tempo volevo insegnare questa danza a lezione, dovendo aspettare ancora a lungo prima di poterlo fare ho approfittato della reclusione per danzarla in prima persona. Il Circassian Circle è una danza tradizionale che si trova in molti manuali dell'Ottocento. Le varianti sono molteplici ma si assomigliano tutte. In particolare mi affascina questa versione, descritta dal Maestro Thomas Hillgrove nel suo manuale pubblicato a New York nel 1857. Curiosamente nella riedizione del medesimo manuale dell'anno successivo questa danza è stata eliminata.
La particolarità di questo manuale rispetto agli altri è che dà la descrizione precisa di dieci diverse sequenze (dieci! esatto) che chiama "figure". Quindi ci siamo divertiti a farle tutte quante, una dietro all'altra.
Ho fatto la scelta di danzarla "alla scozzese" quindi con la tecnica di passi e figure della RSCDS: anche se probabilmente non è la scelta storicamente più esatta, è sicuramente quella che preferisco stilisticamente; ballare il Circassian con una musica francese o camminando sono entrambe ozpioni deprimenti...
Ovviamente essendo solo due coppie nella progressione abbiamo dovuto aggiungere una curva per poterci nuovamente fronteggiare: l'originale prevederebbe di proseguire dritto incontrando la coppia successiva.
Infine notare come la versione ufficiale dell'RSCDS (il Circassian è la terza danza che l'RSCDS ha pubblicato, dopo Petronella e Triumph, quindi anche l'RSCDS ha attribuito a questa danza grande valore tradizionale) ha come progressione la Poussette, che non è presente in nessuna di queste 10 sequenze!

#maledettovirustisconfiggeremo

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Since long time I wanted to teach this dance in class, having to wait a lot before I could do it, I took advantage of the lockdown to dance it in first person. Circassian Circle is a traditional dance present in many 19th century dance manuals. The variations are many but they all look similar. In particular I am fascinated by this version, described by M° Thomas Hillgrove in his manual published in 1857 in New York. Curiously in the re-edition of the same manual of the following year this dance has been eliminated.
The peculiarity of this manual compared to the others is that it gives an exact description of ten different sequences (ten! Exactly) that he call "figures". So we had fun doing them all, one behind the other.
I made the choice to dance in "Scottish way" with the RSCDS technique for steps and formations: although it is probably not the most historically exact choice, it is certainly the one I prefer stylistically; dancing the Circassian with French music or walking it are both depressing.
Obviously being only two couples in the progression we had to add a curve to face each other again: the original says to continue forward to meet a new couple.
Finally note how the official version of the RSCDS (the Circassian is the third dance that the RSCDS has published, after Petronella and Triumph, therefore the RSCDS itself has attributed it great tradition) has the Poussette as progression, which is not present in any of these 10 sequences!

#damnvirustwewilldefeatyou

Welcome to Intro to Circassian A0 Course! Join our FREE Circassian Online classes and learn how to read, pronounce, and write in Circassian Language! To join, click here to register for FREE: https://go.nassip.org/Home

Join our Facebook group page- https://www.facebook.com/groups/adighebza

To know more about the Circassian Language please visit our website: http://www.nassip.org/

For effective learning of the Circassian Language, we are using the Teaching Proficiency through Reading and Storytelling or TPRS. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with the TPRS method.

ingilizce belgesel agırlıklı yayın yapan bir rus televizyonundan,maykopta kabartay kültürü diye bir programdan alınmıştır ....

The Circassian people are an ethnic group from the North Caucasus in modern-day southern Russia. 157 years ago, the Russian army committed many atrocities and genocide against the Circassian people, leaving many of them exiled from their homeland. Many of them live in small communities across the world mainly in Turkey and the Middle east.

#circassianchicken
الشركسية هو طبق من الدجاج المسلوق يقدم مع صلصة غنية محضرة من الجوز المطحون ومرق سميك بخبز التوست. الدجاج الشركسي هو طبق ملكي، أخذناه في مصر من المطبخ العثماني اأثناء احتلالهم لمصر. على الرغم من أنه كان يقدم عادة كطبق رئيسي ، إلا أنه أصبح شائعًا كفاتح للشهية .
Circassian chicken is a dish of boiled chicken served with a rich sauce made with crushed walnuts, and stock thickened with toast bread. Circassian Chicken is a royal dish, adopted by the Imperial Ottoman cuisine during their occupation to Egypt. Although it was typically served as a main course, it became popular as an appetizer.
preparation time: 45 mins cooking time: 1 hr serve: 6-8 person
وقت التحضير: 45 دقيقة التسوية: ساعة التقديم 6-8 أشخاص

#кавказ #грозный #circassian #chechenia #rek #майкоп #гигабайт #махачкала #нальчик #sports #shorts #short #назрань #магас #владикавказ #пятигорск #машук #лермонтов #мусульмане #братьяисестры #черкесск #кабарда #кабардинцы #кабардинобалкария #черкесы #адыги #адыгэ #мир #rek #reels #reelsinstagram #religion #music #muslim #breakingnews #usa #russia #москва #питер #россия #краснодар #сочи #краснаяполяна #краснаяплощадь #траур #абхазия #апсуа #грузия #гигабайт #реки #тренды #лошадь #конь #кабардинскаяпородалошадей #шевченко

The Cragganmore Ceilidh Band performing The Circassian Circle at Balbirnie House Hotel, Scotland.
The band can be booked for your event by emailing info@cragganmoreceilidhband.com or calling on +44 (0)1592 331011
https://cragganmoreceilidhband.com/
https://www.facebook.com/CragganmoreCeilidhBand/

Credit to Graeme Mackay Videography for the video.
https://www.graememackayvideography.com/

The Cragganmore Ceilidh Band are one of the UK’s finest ceilidh bands, providing musical entertainment for weddings, parties, corporate events, functions and special occasions throughout Scotland, the UK and the rest of the world!

With more than 30 years of experience within the industry, Cragganmore are a highly professional ceilidh band who offer a reliable, personal service from start to finish.

The band have played for ceilidhs at venues throughout Scotland and the rest of the UK, including Gleneagles, Stirling Castle and Hopetoun House, as well as venues abroad within Malaysia and China!

The Cragganmore Ceilidh Band understand the importance of musical entertainment and guarantee to make your event both memorable and enjoyable for your guests, providing an energetic, authentic Scottish ceilidh experience.

Our unique and individual service allows us to tailor your entertainment package to suit your tastes and budget.

We are able to split the evening up with a mixture of both ceilidh and disco music, using our professional sound system and lighting. Cragganmore will also provide a highly experienced caller to talk guests through the dances.

Circassian Video clip by Zakary Nash.

The Circassian Circle appeared in the British ballroom in the 1820s from a concept of arranging a popular quadrille or country dance figure in a progressive Sicilian circle. It became very popular in several main forms and further versions evolved via the folk process in the villages of the British Isles. It was still very popular in Australia as a ballroom dance in the early decades of the 20th C enjoying a place on programmes up till the 1930s as part of the Old Time Dance revival. Any references to Circassian Circle up until then relate to these forms, part 2 did not exist till introduced through British folk dance revivals and the Australian ‘bush dance’ movement of the 1960s and 70s; ‘part 1’ was then used to distinguish the original progressive Sicilian style.
Thus the version commencing with the ‘right & left’ movement has been taken from figure 1 of ‘The Quadrille’ or ‘First Set’ and the version with the ‘hands across & back again’ (right & left star) is from figure 1 of the Caledonians Quadrille.
Lovenberry’s MC Manual of the Ithaca School of Dancing in Brisbane 1884 lists nine different versions of Circassian Circle of which No. V is a particularly good version incorporating both figure 1 of the Caledonians Quadrille and Galop forward and back around the circle followed by a half ladies’ chain for the progression. This has been shown as version 3.
Other Circassian Circles described have adapted country dance figures such as from the Spanish Waltz into what is now known as the Waltz Country Dance, and the British folk dance ‘Cottages’ can be linked to a Circassian Circle arrangement from figure 4 of the Lancers, whilst the American version of the Soldier’s Joy is a Circassian Circle adaptation from an earlier Country Dance by that name.
Circassian Circle part 2 was not known by that name in Australia till the 70s bush dance revival, but was known under the name of Stockyards or Bull Ring as a final figure of the Quadrille (First Set).
Video footage by dancers and friends of Bush Dance & Music Club of Bendigo, directed by Peter Ellis at Sedgwick, Victoria Australia, October 2014.

An Arabic-Circassian course "Bjadugh", from Nart TV by Shoqush Abdelhadi

Dance of the Anatolian Circassians or locally known as Sheshen is a very popular Circassian dance performed in every wedding and celebration ceremony. Its origin is not known clearly, but modern versions are inspired by Circassians living in Turkey. It has a moderate pace although there are some faster versions mixed with Lezginka in some regions.

Every couple performs the dance inside a wide circle surrounded by the crowd and guests. Couples take the floor one by one and show their skills to the community. In this specific dance the woman is in control all the time and floats around with different paces and the man should follow her trying to do his best to get her attention and the crowd's appreciation. The other men in the circle encourage and support him during the dance with cheers and chants, and sometimes they join the man for a very short period.

Although there are some basic elements, custom improvisations are very important in Circassian folk. Performers should not repeat other people's patterns and they have to be creative because individual compositions are seen as a signature for the person. Like all other Circassian dances, the dance duration depends on the woman and keeps going on until she decides to finish it. It's considered a very rude behavior if the man leaves the dance area first.

Nalmes' choreography is much longer than this video but this is the original part that shows the traditional figures and pace. You can see the full version of Nalmes' composition at the following link:

https://www.youtube.com/watch?v=uxaoUi8AoH8

All rights belong to Ensemble of Nalmes