Circassian Genocide Memorial Day - Reihaniya 2018

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Zoher find that his Pitchfork is missing and he Suspicious tha it was Stolen.
Aibek who left to guard, Prepared a trap just to find that he Caught the wrong person :)

İyi Seyirler Arkadaşlar

This is an audio version of the Wikipedia Article:
Circassian beauties


00:03:27 1 Literary allusions
00:05:38 2 Circassian features
00:12:20 2.1 Pseudoscientific explanations for the extreme white skin
00:14:14 3 Pseudoscientific racialist theories
00:18:16 4 Advertising of beauty products
00:21:11 5 Nineteenth-century sideshow attraction
00:23:47 6 In popular culture
00:24:14 7 See also



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- Socrates



SUMMARY
=======
Circassian beauties is a phrase used to refer to an idealized image of the women of the Circassian people of the Northwestern Caucasus. A fairly extensive literary history suggests that Circassian women were thought to be unusually beautiful, spirited, and elegant, and as such were desirable as concubines.
This reputation dates back to the Late Middle Ages, when the Circassian coast was frequented by traders from Genoa, and the founder of the Medici dynasty, Cosimo de' Medici, had an illegitimate son from a Circassian slave. During the Ottoman Empire and Persian Safavid and Qajar dynasties, Circassian women living as slaves in the Sultan's Imperial Harem and Shah's harems started to build their reputation as extremely beautiful and genteel, which then became a common trope in Western Orientalism.As a result of this reputation, in Europe and America Circassians were often characterised as ideals of feminine beauty in poetry and art. Cosmetic products were advertised, from the 18th century on, using the word "Circassian" in the title, or claiming that the product was based on substances used by the women of Circassia.
In consequence, most wives of several Ottoman Sultans were ethnic Circassians converted to Islam, e.g. Valide Sultans (Empress mothers), including Perestü Valide Sultan, Pertevniyal Valide Sultan, Şevkefza Valide Sultan, Tirimüjgan Valide Sultan, Nükhetseza Başhanımefendi, other important Hatuns (Ladies) and Sultans like Şemsiruhsar Hatun and Saçbağlı Sultan, Haseki sultans (chief consorts) such as Mahidevran Haseki Sultan, Hümaşah Haseki Sultan, Hatice Muazzez Haseki Sultan, and Ayşe Haseki Sultan besides numerous Başkadınefendis (most senior consorts), including Bedrifelek I, Bidar II, Kamures I, and Servetseza I as well as Kadınefendis (senior consorts) such as Bezmara VI, Düzdidil III, Hayranıdil II, Meyliservet IV, Mihrengiz II, Neşerek III, Nurefsun II, Reftaridil II, Şayan III, amongst many others, or İkbals (honoured lady consorts), most notable of them being Cevherriz II, Ceylanyar II, Dilfirib I, Nalanıdil III, and Nergis IV in addition to Gözdes (favourite lady consorts), including Dürdane I, Hüsnicenan III, Safderun IV, amongst others. The "golden age" of the Circassian beauty may be considered to be between the 1770s, when the Russian Empire seized the Crimean Khanate and cut off their slave trade in Eastern European women, which increased the demand for Circassian women in Near Eastern harems; and the 1860s, when the Russians destroyed Circassia itself.
In the 1860s the showman P. T. Barnum exhibited women who he claimed were Circassian beauties. They wore a distinctive curly, big hair style, which had no precedent in earlier portrayals of Circassians, but which was soon copied by other female performers in the United States, who became known as "moss-haired girls". This hair style was a sort of a exhibit's trademark and was achieved by washing the hair of women in beer, drying it and then teasing it. It is not clear why Barnum chose this hairstyle. It may have been a reference to the Circassian fur hat, rather than the hair.
There were also several classical Turkish music pieces and poems that praise the beauty of the "Lepiska Saçlı Çerkes" (Straight, flaxen-haired Circassian; "lepiska" refers to long blonde hair which is soft and straight, as if flatironed).

It's time to finally look at some languages again and I have to say, this region has been the most challenging to prepare so far. There is such a wealth of languages in the Cacausus mountains, with some that we've talked about before, and some isolate and native to this region alone. Get comfy and let's slowly work our way through the map 💖 Before we start, though, thank you so much for all the well-wishes last week!

Content note: There's mention of the Armenian and the Circassian genocide.

Cat appears from 14:33 to 22:45.

Nail polish: Catrice Take me to Tokyo

Sources:
Map: https://commons.wikimedia.org/....wiki/File:Caucasus-e
Glück/Rödel (ed.): Metzler Lexikon Sprache, 5th edition.
Hölzel Universalatlas.

***

Audio only version is available on various podcast platforms.

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"21" is a short film created by NART TV and based on the history of Circassians

Produced By : N.A.R.T TV

إنتاج : الفضائية الشركسية

“The Circassian Cavaliers of the Caucasus”

A French film by Jean Paul Blondeau. Presented by Jean Bertho. subtitled in English by the Centre for Circassian Studies.

The mountain pastures where the famous Kabardian horses and intrepid Circassian horsemen share a free, yet very harsh, existence – the life of the “Cavaliers of the Caucasus”.

We expect to be endlessly surprised by the equine exploits of the cavaliers of the Caucasus…

For the peoples of the Caucasus, song and dance are a gift from Heaven…

Utterly exotic and stunning…

They live the life of herder cavaliers in all its aspects…

“The Kabardian Horse”

These horses are world-famous for their beauty, hardiness, and the surety of their feet on treacherous mountainous terrain.

They live in an extensive area of 20,000 hectares (200 km²) – a domain which sharply varies from 300 to almost six thousand metres in height. This is a vast dominion of lofty mountains, precipitous hills and gorges, and plateaus, all teaming with precipitous mountain streams and thunderous waterfalls...

Circassian Film: “Love & Friendship”

«Лъагъуныгъэмрэ ныбжьэгъугъэмрэ» (2000)

In Circassian with English subtitles.

Made for television: State Kabardian Radio and Television Channel, 2000.

Translated by the Centre for Circassian Studies, 2015.

Starring:
R. Lu as Scholex’w
A. Hemirze as Schermet
F. Chexwmaxw as Sherizet
A. Wimar as Mezlo
R. Boziy as Yibrehim
G. Ti’esch as Abubekir

Produced for television by:
A. Wimar
R. Thegheziyt
A. Pxeney
A. Qare
S. Zhileteizh

Not far from the border of Abzakhia and Ubykhia [provinces of Circassia] lived a very rich Ubykh nobleman named Scholex’w.

He was very brave, and his fame and good name ran far and wide.

Equally brave and famous was the nobleman Schermet, who lived in Kabarda...

Info: The land of Caucasus is located between the Pontic - Caspian steppe and Anatolia. Through the history it is inhabited by various nomadic populations such as Sarmatians, Scythians, Turks, Slavs, Mongolians and the native Caucasian populations such as Circassians, Georgians, Chechens, Lezgins and Armenians. Therefore, the culture of Caucasus has been affected by both nomadic and agricultural civilizations. There are historical findings that the various dances with blades were performed by Scythians since B.C.E. 2000s and later the Scythian's culture was combined with Turkic - Hunnic - Ugric cultures. After the collapse of the Mongolian Empire, the nomadic Turkic Kazakhs and Slavic Ukrainian populations have been combined. The new integrated population has been called as the Cossacks (meaning Kazakh in Slavic languages).

The blade dances of this video are some examples of Flankirovka, Khorumi and Perkhuli. Flankirovka is an art of spinning sabers (mostly Shashka) while dancing, originating from Caucasus and today performed by mostly Cossacks. Shashka is a Circassian sword and means "long knife" in Adyghe language. The music of the video is called Sinane Daxe, meaning "my mother" in Adyghe language. The performers in the video are Georgian, Ukrainian, Russian, Circassian, Tatar, Italian and French.

Note: If you are in the video and want to be mentioned or advertise your page, contact me, thus I can add your link.

Music video link : https://drive.google.com/drive..../folders/1vc-c9dprm-

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The Call - A Short Circassian Film

An Ashraf Jankot & Mutaz Jankot Production

A Mutaz Jankot Film

THINKFILMz © 2012

A JANKOT MOTION PICTURE PRODUCTION COMPANY

Provided to YouTube by Kavkaz Music по лицензии ZvukM

Circassian Folk · Akhmat Batchaev · Traditional · Ахмат Батчаев

Caucasian Melodies

℗ Kavkaz Music по лицензии ZvukM

Released on: 2019-11-21

Auto-generated by YouTube.

Download & Stream: https://kud.li/sor021
Subscribe: https://sb.kud.li/UCTqkTKmAWEX7ZG3anBulQZg
Official stream from Shapes of Rhythm. Distributed by Kudos Records.
More music playlists: https://pl.kud.li/UCTqkTKmAWEX7ZG3anBulQZg
#ShapesofRhythm #ElectronicaDance #BeatsampBreaks
Album: Ozan [ALBUM]
Track: 15 of 21
Title: Circassian
Artist: Enver Göyken
Label: Shapes of Rhythm
Cat#: SOR021
Formats: Cassette/Digital
Digital Release: 30th September 2022
Physical Release: 30th September 2022

About This Release:

BodyMoves returns under the moniker Enver Goyken for his second full length beat tape on London-based label Shapes of Rhythm. Ozan (meaning travelling wise poet in Turkish) is a 21-track exploration of the Turkish side of his heritage, and the alias which is his birth name. Enver's biological dad was from Istanbul, and unfortunately the beat-maker didn't have a relationship with him for most of his life. When he died in 2016, BodyMoves was advised to use his passion for music to explore Turkiye and its culture as part of the grieving process, and to better understand that part of who he is.
"Amongst other things, my biological dad was a musician who first played a part in Turkish rock n roll history, and then as a producer who pioneered modern studio set ups in Turkey, so perhaps I was always going to be obsessed by music myself"
"As a beat maker, my dive into Turkish music inevitably led to identifying samples in the music I was digging into, and although it's been quite a long process, it has resulted in this beat tape project coming together."
Alongside digging into the musical side of Turkiye's culture, it also presented an opportunity to explore thousands of years of history as the bridge between East and West. It's for this reason that the tracklisting reads like a history lesson, referencing famous people and places across time, from archaeological sites and ancient statues to empires, Sultans, armies and tribes of people.
The music on Ozan is loosely framed around hip hop but is unrestricted by tempo. Using his trusty SP404 (championed by people like Ras G and Madlib), and a stack of records and historical references these are raw, raw beats and grooves. The departure from 2017's Cariño beat tape is that here there is a much more global approach to the sound sources. The opener Göbekli Tepe welcomes you in with an introductory stringed instrument fanfare before a whirlwind of polyrhythms move around a swinging, unquantised beat.
Urfa Man quickens the tempo with hand percussion samples and urgent vocal chants and calls, whilst a bassline moves nimbly around joined by a lush Rhodes line. Achaemenid is a lower affair, underpinned by a repetitive dusty piano sample and clacking wooden percussion. In classic BodyMoves style the duration is short but the ideas within it are many. Constantine I is all woozy sub bass and neck-snapping snares, whilst a hypnotic set of hand drums work their way through your brain. Sasanian is a complete assault on the senses with its swirling effects and minimal percussion.
Byzantium is the beat tape's longest and possibly grooviest track, led by a bassline and a reflective keyboard sequence. İznik is another track underpinned by Rhodes and punctuated by an urgent, looped up vocal hook.

Staying true to beat tape tradition Ozan is released on limited white cassette (and digital) with extensive contextual and historic liner notes plus map. Limited to 75 copies.

Reviews for This Release:

"This is awesome" - Tom Ravenscroft (BBC 6 Music)

"Lots of great stuff on here" - West Norwood Cassette Library (Repeater Radio)

"Ace!" - Lloyd Briggs (Deeep Space - PBS106.7fm)

"What a beattape!?!?! It flows like a champ, and I'm not just saying that cause I'm Turkish." - Kerem Gokmen (Dubmission Radioshow (WYEP Pittsburgh))

"Really enjoying the music and excited to delve into the album further. I love the exploration of heritage/identity through music, so really cool to hear your journey" - Jamz Supernova (BBC 6 Music/1Xtra/Radio 1)

Выпуск о черкесских армянах - черкесогаях, истории их появления в Черкесии, жизненном устройстве и судьбе в истории Российской империи

На основании статей портала Голос Адыга - http://www.adygvoice.ru/newsview.php?uid=5591
и газеты Ноев Ковчег - http://noev-kovcheg.ru/mag/2012-14/3369.html

Тайм-код выпуска:
0:00 - вступление
0:03:00 - тюркские вторжения в Армению
0:04:30 - армяне в Крыму
0:04:55 - исход из Крыма
0:06:22 - появление черкесогаев в Черкесии
0:08:05 - роль армян в Черкесии
0:10:50 - армяне на Дону
0:13:25 - 16-19 века
0:18:35 - в Кавказскую войну, усложение обстановки
0:20:45 - начало выселения в Российскую империю
0:23:11 - планирование и основание Армавира
0:26:00 - ассимиляция армян в России и потеря этнической идентичности
0:28:10 - Богарсуковы
0:29:45 - после выселения. Частные инициативы
0:30:30 - армяне Черноморского побережья

Помочь развитию канала:
- разово по ссылке - https://yoomoney.ru/to/410016795516048
- через спонсорскую подписку - https://www.patreon.com/Caucasus_anthropology

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Welcome to Intro to Circassian A0 Course! Join our FREE Circassian Online classes and learn how to read, pronounce, and write in Circassian Language! To join, click here to register for FREE: https://go.nassip.org/Home

Join our Facebook group page- https://www.facebook.com/groups/adighebza

To know more about the Circassian Language please visit our website: http://www.nassip.org/

For effective learning of the Circassian Language, we are using the Teaching Proficiency through Reading and Storytelling or TPRS. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with the TPRS method.

Xabze, Xa: many, vast or space, Bze: language, literally meaning, the language of the cosmos is an oral unwritten code of conduct, which incorporates all aspects of life, dictating behavior from birth to death. It is not an explicit dogma nor a separate creed, but can be closely described as an art of life.



ARTICLE: https://www.ayurvedajournals.c....om/article/zaina-el-

I do not own any of the content in this video.

This channel is dedicated to making silly shit.

Aibek wants to learn how to Iron fittings, so he ask from Jan Bek to teach him. when Jan Bek have to leave for a while, he warns Aaibek to not touch nothing ! will Aaibk obey ? :)

Aibek sent to the Carpenter by Zoher, but it seems that he didn't understand what Zakaria the Carpenter told him.

In memorium of the deportation of the Circassians from their homelands in the Caucasus in 1864.

Aslan Alievich Daurov was a composer of Karachay-Cherkessia (July 24, 1940 - March 8, 1999), born in the village of Khabez, he lived most of his life in Cherkessk.
After graduating from high school with a silver medal, Daurov made his first creative steps at the Stavropol Musical College, where he studied in the trumpet class, and then moved to the choral conducting class.
During the years of study at the music school, Daurov tried his hand at writing. The first songs of the beginning composer were recorded on the radio and immediately attracted the attention of listeners.
Successfully launched steps in the field of composition inspired the student and he began to actively create songs for the program of the national student ensemble, which he himself led.
Working with this ensemble and creating a repertoire for it, he studied the features of the musical folklore of the peoples of the North Caucasus, which he later skillfully used in his compositions.
His first works confirmed the talent of the young musician. After graduating in 1963, Aslan successfully passes all the exams and enters the famous Moscow State Conservatory. where he was studying conducting and composing with the composer V. G. Fere.
The young musician was lucky enough to attend classes and concerts of prominent musicians like G. G. Neuhaus, M. L. Rostropovich. He studied with brilliant music teachers: N. P. Rakov, V. G. Agafonnikov, Yu. N. Kholopov and others.
After graduating, he immediately entered the graduate school at the Conservatory. During the years of study at the conservatory, Daurov actively worked in the field of composition.
The choral cycle “Five Mountain Songs” (1968) is included in the repertoire of the Moscow State Choir, which was headed by the great master of choral art V. G. Sokolov, and at the All-Union Competition for Young Composers he was awarded third place.
The chairman of the jury of this competition was the contemporary composer Sviridov. On its recommendation, literally in one day, Daurov was admitted to the Union of Composers of the USSR.
Then he returned to Cherkessk, where he taught musical and theoretical disciplines at the Circassian Musical College. In 1970 he became director of the school.
In the same year, the 30-year-old director created a folk symphony orchestra there, and at the same time headed the society of composers and melodists of Karachay-Cherkessia.
During 1970-1980, he writes symphonic and instrumental compositions, rhapsodies and vocal cycles, ballet and fantasies. Five of them received an award at the All-Union Review of Young Composers.
In 1989 Aslan Daurov created the cantata "Aul Songs".
Aslan Daurov became one of the brightest songwriters among the Adyghe authors. His songs are widely popular in Circassia, Kabarda, Adygea, Abkhazia, and throughout the Caucasus.
The well-known St. Petersburg composer Boris Tishchenko drew attention to the fact that “the apparent simplicity of A. Daurov’s music is fraught with great difficulties, as well as subtleties that you cannot see with the naked eye…”.
Daurov was the chairman of the Union of Composers of Stavropol.
He is also the author of several monographs about the life of famous composers, the book "Musical Culture of Karachay-Cherkessia".
For his great contribution to the multinational musical culture, Aslan Daurov was awarded the honorary titles "Honored Art Worker of the Russian Federation", "People's Artist of the KBR", "Honored Art Worker of the Abkhaz ASSR".
In 1990, Daurov was a laureate of the State Prize of the Russian Federation (this is the first prize of this magnitude in the entire history of the existence of not only Karachay-Cherkessia, but also the Stavropol Territory), a laureate of the State Prize of the KChR named after. Umar Alieva.
Daurov's great merit is the opening of the Karachay-Cherkess branch of the Union of Composers of the Russian Federation, which he headed from 1993 until the end of his life. He is known as a gifted conductor, the creator of a symphony orchestra in a music school. Unfortunately, with the departure of Daurov from life, the Union of Composers collapsed, and the symphony orchestra ceased to exist.
A. Daurov was the only representative of the North Caucasus (of the whole region!), who is a member of the Commission on State Prizes of the Russian Federation in the field of literature and art under the President of Russia.
The last years of his life, the composer lived in the city of Nalchik, worked as a music editor of the Kabardino-Balkarian radio broadcasting.

The image before the music is A Carousel (1920), by Boris Kustodiev, chosen by C. M for this video.

There is no copyright infringement intended. if you wish this recording to be removed, it can be done, please just let us know and the video will be removed.

Mr. Adel Bashqawi gives a short summary of the Circassians' efforts to preserve national identity and how technology and especially the Internet helped with this.

Join our FREE Circassian Online classes and learn how to read, pronounce, and write in Circassian Language! We offer Wednesday and Saturday Circassian Online Classes for FREE via ZOOM. If you want to join us visit our Facebook group page, join the group and send us a message.

Facebook group page- https://www.facebook.com/groups/adighebza

To know more about the Circassian Language please visit our website: http://www.nassip.org/

For effective learning of the Circassian Language, we are using the Teaching Proficiency through Reading and Storytelling or TPRS. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with the TPRS method.

Welcome to my channel! This is Andy from I love languages. Let's learn different languages/dialects together.

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There are five recognized languages in the Northwest Caucasian family: Abkhaz, Abaza, Kabardian or East Circassian, Adyghe or West Circassian, and Ubykh.

Adyghe is one of the more widely spoken Northwest Caucasian languages. It has 500,000 speakers in Russia, where it is official in the Republic of Adygea, the Middle East, Turkey, Jordan, Syria, Iraq, and Israel. There is even a small community in the United States. Four main dialects are recognised: Temirgoy, Abadzekh, Shapsugh and Bzhedugh, as well as many minor ones such as Hakuchi spoken by the last speakers of Ubykh in Turkey. Adyghe has many consonants: between 50 and 60 consonants in the various Adyghe dialects but it has only three phonemic vowels. Its consonants and consonant clusters are less complex than the Abkhaz–Abaza dialects.

Abkhaz has 100,000 speakers in Abkhazia (a de facto independent republic, but a de jure autonomous entity within Georgia), where it is the official language, and an unknown number of speakers in Turkey. It has been a literary language from the beginning of the 20th century. Abkhaz and Abaza may be said to be dialects of the same language, but each preserves phonemes which the other has lost. Abkhaz is characterised by unusual consonant clusters and one of the world's smallest vowel inventories: It has only two distinctive vowels, an open vowel /a/ and a mid vowel /ə/. Next to palatalized or labialized consonants, /a/ is realized as [e] or [o], and /ə/ as [i] or [u]. There are three major dialects: Abzhuy and Bzyp in Abkhazia and Sadz in Turkey.

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