The choreography performed by the Ensemble of Kabardinka is a collection of various Circassian dance figures and influenced by the Western Adyghe tribes Ubykh, Natukhay and Shapsug who once used to populate the Black Sea coasts of the Northwest Caucasus for thousands of years with their Abkhazian cousins before they were completely exiled from the region by Russian Empire in 1864. They lost more than three quarters of their populations during the Circassian Exile. The aggression and the later actions against the native people of the region by Russian Empire are considered the first modern systematic genocide by many historians and it was a role model for later genocides committed by different countries around the world although the only country officially recognizing it is Georgia. Today most of Circassians live outside of their native homelands scattering around the world. As a result Ubykh language went completely extinct in 90's and other ethnic groups/languages are waiting for the same fate.

There are many ancient elements during the performance reflecting some of the very old rituals of Circassians. The Circassian Circle is an important symbol and its origin goes back to the old Pagan culture. There were relics or sometimes a tree representing the Deities in the center of the circle in earlier times. Circassians would dance around the relics singing songs and hymns specific to the ritual's theme like funeral, wedding, harvesting, holy days, etc. The dancing area was accepted as a holy place and no one could enter without permission. The Hatiyago/Ceguako (the solo dancer who has a ritualistic stick) is portrayed as one of its earliest forms and has complete control over the ceremony like an ancient priest. Every dancer/member of the community should obey the Hatiyago's directives to take place the ceremony properly.

Nowadays this character has significantly changed from its origins mostly because of Islamic influences, although is still an important part of Circassian weddings. Today they generally act as a supervisor/organizer in the weddings, but in ancient times their missions were much more than that. They supervised important ceremonies like weddings as it's today but also they had a vital mission to represent and carry anything related to Circassian society, like traditions, music, songs, mythology and history to the next generations. They were the living memories of Circassians who had only oral lore.

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Tens of thousands of Circassians, an ethnic group originating from Russia's Caucasus region, are believed to be living in Syria.<br /><br />But now many of them are trying to return to their ancestral homeland. <br /><br />The majority of the community are supporting the Syrian President Bashar al-Assad, and they fear reprisals if the opposition takes over.<br /><br />Al Jazeera's Sue Turton reports from Nalchik in northern Caucasus.

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Ahmad Ai - The Circassian Tragedy (1864)

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Picture in the video by: Circassian Repatriation Organization

The circassian festival - kfar kama 2011 - chapter - 10

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Latest information about the developments in Adygea in the repatriation problem of the Syrian Circassians and some other current issues.
To sum up:
- So far 93 Syrian Circassians -31 of the are the students- have repatriated to Adygea.
- A benevolent society has been founded to help the Syrian Circassian repatriates.
- The repatriation problem of the Syrian Circassian has been discussed in the 16th general meeting of the Adygea Adyghe Xasa.
- The opinion of the Adygea Adyghe Xasa on the Sochi 2014 Winter Olympics.
- The problems of the Circassian youth i.e. use of drugs, alcohol, etc. have been discussed.