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Adiga Wedding - Circassia

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Circassian Circle is an Country Dance published by Chivers in 1822 (The Handbook of Modern Dancing). This version was interpreted by Howe in 1858 and then Burchenal in 1918. Burchenal's version is the same as Howe's except that she changes a "Balance" in Howe to a "Partner Swing".

Burchenal suggests three tunes for this dance, I picked "On the Road to Boston", a revolutionary war reel, which was performed by Colin Hume.

This appears to be the original name for what we now call a "Sicilian Circle". Today we think of it as a way of dancing in a circle rather than longways that can be applied to almost any minor set dance. But once upon a time there was an actual dance of that name.

The animation plays at 120 counts per minute normally, but the first time through the set the dance is slowed down so people can learn the moves more readily. Men are drawn as rectangles, women as ellipses. Each couple is drawn in its own color, however the border of each dancer indicates what role they currently play so the border color may change each time through the minor set.


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Nalchik (Karachay-Balkarian Nalchiq, Nalchyk[3], Russian: Nalchik; Kabardian: Nalshyk) is the capital of the Kabardino-Balkarian Republic, located in the North Caucasus in southern Russia. It is located at the foot of the Caucasus Mountains, at an altitude of 550 meters. The city is spread over an area of 150 km2.[4] The city has a green area of 991 hectares. Population: 240,203 (2010).

On the site of the present-day city of Nalchik, according to records, Kabardians and Balkars lived since 1743. Kent, 19. in the XIII century, it was founded as a military fortress in 1818 by the Russians, who captured the region during the Ottoman-Russian War of 1768-1774. Nalchik was an insignificant settlement before the October Revolution of 1917. It received the status of a city as the center of the Kabardino-Autonomous Oblast, which was established on September 1, 1921. There are road and railway extensions from the main roads in the North Caucasus to Nalchik, as well as a small airport.

The city of Nalchik takes its name from the Nalchik River on which it is founded. But this name is not considered to be directly derived from the word nal in Turkish

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Circassian Kafa, No. 2 · Ahmad Ai

Circassia 2009-2019

℗ 2021 Ahmad Ai

Released on: 2021-01-22

Auto-generated by YouTube.

The Circassian Circle appeared in the British ballroom in the 1820s from a concept of arranging a popular quadrille or country dance figure in a progressive Sicilian circle. It became very popular in several main forms and further versions evolved via the folk process in the villages of the British Isles. It was still very popular in Australia as a ballroom dance in the early decades of the 20th C enjoying a place on programmes up till the 1930s as part of the Old Time Dance revival. Any references to Circassian Circle up until then relate to these forms, part 2 did not exist till introduced through British folk dance revivals and the Australian ‘bush dance’ movement of the 1960s and 70s; ‘part 1’ was then used to distinguish the original progressive Sicilian style.
Thus the version commencing with the ‘right & left’ movement has been taken from figure 1 of ‘The Quadrille’ or ‘First Set’ and the version with the ‘hands across & back again’ (right & left star) is from figure 1 of the Caledonians Quadrille.
Lovenberry’s MC Manual of the Ithaca School of Dancing in Brisbane 1884 lists nine different versions of Circassian Circle of which No. V is a particularly good version incorporating both figure 1 of the Caledonians Quadrille and Galop forward and back around the circle followed by a half ladies’ chain for the progression. This has been shown as version 3.
Other Circassian Circles described have adapted country dance figures such as from the Spanish Waltz into what is now known as the Waltz Country Dance, and the British folk dance ‘Cottages’ can be linked to a Circassian Circle arrangement from figure 4 of the Lancers, whilst the American version of the Soldier’s Joy is a Circassian Circle adaptation from an earlier Country Dance by that name.
Circassian Circle part 2 was not known by that name in Australia till the 70s bush dance revival, but was known under the name of Stockyards or Bull Ring as a final figure of the Quadrille (First Set).
Video footage by dancers and friends of Bush Dance & Music Club of Bendigo, directed by Peter Ellis at Sedgwick, Victoria Australia, October 2014.

In the evening of May 21, Circassian activists in Istanbul held a march of many thousands along Istiklal Street in direction of the Russian Consulate General. The action was organized by the Confederation of Circassian organizations and Caucasian Diaspora in Turkey, and the march was also joined by Crimean Tatars representatives. The march involved Circassians, Adygs, Abkhazians, Vainakhs, Ossetians, and Crimean Tatars. In their hands, they were carrying the banners with the names of organizations and associations represented by their groups, as well as national flags. Besides, the activists were carrying the posters with slogans addressed to Russia and the international community and calling for recognition of the Circassian genocide and the cessation of repression of Circassian repatriates in Russia. For details, see: http://eng.kavkaz-uzel.ru/articles/35668

Circassian beauties, or Moss-haired girls as they were sometimes known, reflect a curious legacy of racial stereotyping and sexual titillation. Racial theories of the mid 19th century held that the people living in the Circassian mountains near the Black Sea were examples of the purest stock of the Caucasian race. Legend had it that the Circassians produced the worlds most beautiful white women, who were consequently in great demand for the harems of Turkish sultans.








The long shadow of slavery can also be discerned in this hybrid depiction. American audiences were both intrigued and horrified, given their false association of slavery with Africans, by the fact that Circassian women were among the most sought-after concubines in the Sultans harem - hence the need to make them appear somewhat African. Both African slaves and Circassian slaves were subject to sexual exploitation and this is the point of contact that played so powerfully on white Americans imagination, wrote philosophy professor Gregory Fried.


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This Video is about raising awareness for two historical events: the Circassian Genocide that took place in the 19th century, and the ongoing conflict in Ukraine. The Video emphasizes the importance of remembering and honoring the victims of these events, and of showing solidarity with those who are still suffering as a result of violence and injustice. The video also highlights the similarities between the two events, reminding us that the fight for peace and justice is ongoing, and that we must remain vigilant to ensure that such atrocities never happen again. The overall goal of the video is to call for greater recognition of these events, and to inspire action in support of those who have been affected by violence and injustice.

English 00:00
Arabic 01:43
Turkish 03:39
Russian 05:25
Ukrainian 07:21

"The CircassianGenocide" - Walter Richmond.
http://books.google.co.uk/books?id=LHlwZwpA70cC&printsec=frontcover&hl=pt-BR&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

The only book solely about this tragedy.


Soundtrack:
- "God be with Ye" - Cloudkicker;
- "Strung up from the Sky"- Pelican;
- Circassian national anthem.

#Çərkəz soyqırımı #Circassian #caucasus #azerbaijan #dagestan #turkey #russia #history #genocide #circassiangenocide #crime #russianempire #battle #war #shameofhumanity #europe #tarix #bakı #xəzər #caspiansea #blacksea #adyghe #kabardians #chechens #Shorts

The Circassian Home Museum, founded by the researcher and historian Adnan Bazadiq in Zarqa city, east of Jordan’s capital, Amman, is one of the few museums in the world that collects items representing the life of Circassians. The museum reflects the history of the Circassians, ancient customs, contemporary life, culture, food, and professions.
The museum consists of several sections containing rare documentaries, artistic and cultural films of this ethnic group, as well as large black and white photographs of Circassian figures hanging on the walls. Many years ago, Adnan Bazadok began researching and archiving everything related to Circassians in the world and turned his house into a Circassian heritage museum visited by many Jordanians and foreigners to learn about their history and culture. About 200 thousand Circassians live in Jordan, according to unofficial figures. Circassians came to Jordan in 1878, after Tsarist Russia displaced them during the Caucasus War. They live in Amman and Zarqa, enjoy all rights, and hold Jordanian citizenship since the establishment of the Hashemite Kingdom of Jordan.












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Tens of thousands of Circassians, an ethnic group originating from Russia's Caucasus region, are believed to be living in Syria.

But now many of them are trying to return to their ancestral homeland.

The majority of the community are supporting the Syrian President Bashar al-Assad, and they fear reprisals if the opposition takes over.

Al Jazeera's Sue Turton reports from Nalchik in northern Caucasus.

At Al Jazeera English, we focus on people and events that affect people's lives. We bring topics to light that often go under-reported, listening to all sides of the story and giving a 'voice to the voiceless.'
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A historical fact that explores the tragic fate of the Circassian people at the hands of the Russian Empire in the 19th century. The video delves into the history of the Circassians, their culture and way of life, and their resistance to Russian expansionism. It also sheds light on the Russian government's policies of ethnic cleansing and forced migration, which resulted in the deaths of hundreds of thousands of Circassians and the displacement of the survivors. The video aims to raise awareness about this little-known chapter of history and its lasting impact on the Circassian people and the Caucasus region as a whole.

Troisième séminaire de Peter Arkadiev Université Johannes-Gutenberg (Mayence - Allemagne) dans le cadre de sa lecture "Problems of polysynthesis, with special reference to the Northwest Caucasian languages".

Enregistré le 23 mai 2023.

Résumé :

In seminar 3 I shall offer a more detailed discussion of the grammatical structures of the Northwest Caucasian languages (cf. Arkadiev & Lander 2020) with reference to the properties associated with polysynthesis. These languages are characterised by a high degree of morphological complexity in both verbs and nominals, extreme polypersonalism coupled with a rich system of valency-increasing devices, and a large number of affixes expressing spatial, aspectual, modal and evaluative meanings. It will be shown that the Northwest Caucasian polysynthetic verbal morphology cannot be unequivocally characterised as either scope-based or templatic, nor as purely affixal despite the absence of productive incorporation.


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https://www.labex-efl.fr/post/....chaire-international

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