शीर्ष वीडियो
Video tutorial on how to read and pronounce the Circassian (Kabardian) alphabet.
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Today we recorded a podcast with american artist of Circassian descent, Burzag (Zack) Kaghado. We had a warm conversation about how to preserve one's identity in a foreign environment and why it is important to reflect on the history of one's people through art. #shorts
These are excerpts from a documentary I made in 1994 for UK TV, but the thoughts and expressions contained in it are applicable forever
Jonty Yamisha of the Nassip Foundation discusses his approach to Circassian language preservation. Sponsored by the Smithsonian and CUNY in partnership with the International Centre for Language Revitalization, AUT University and the Endangered Language Alliance.
Circassians are the native people of the north west Caucasus ( Circassia )
Circassian Genocide Memorial Day - Reihaniya 2018
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#shorts
İyi Seyirler Arkadaşlar
It's time to finally look at some languages again and I have to say, this region has been the most challenging to prepare so far. There is such a wealth of languages in the Cacausus mountains, with some that we've talked about before, and some isolate and native to this region alone. Get comfy and let's slowly work our way through the map 💖 Before we start, though, thank you so much for all the well-wishes last week!
Content note: There's mention of the Armenian and the Circassian genocide.
Cat appears from 14:33 to 22:45.
Nail polish: Catrice Take me to Tokyo
Sources:
Map: https://commons.wikimedia.org/....wiki/File:Caucasus-e
Glück/Rödel (ed.): Metzler Lexikon Sprache, 5th edition.
Hölzel Universalatlas.
***
Audio only version is available on various podcast platforms.
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"21" is a short film created by NART TV and based on the history of Circassians
Produced By : N.A.R.T TV
إنتاج : الفضائية الشركسية
Circassian Film: “Love & Friendship”
«Лъагъуныгъэмрэ ныбжьэгъугъэмрэ» (2000)
In Circassian with English subtitles.
Made for television: State Kabardian Radio and Television Channel, 2000.
Translated by the Centre for Circassian Studies, 2015.
Starring:
R. Lu as Scholex’w
A. Hemirze as Schermet
F. Chexwmaxw as Sherizet
A. Wimar as Mezlo
R. Boziy as Yibrehim
G. Ti’esch as Abubekir
Produced for television by:
A. Wimar
R. Thegheziyt
A. Pxeney
A. Qare
S. Zhileteizh
Not far from the border of Abzakhia and Ubykhia [provinces of Circassia] lived a very rich Ubykh nobleman named Scholex’w.
He was very brave, and his fame and good name ran far and wide.
Equally brave and famous was the nobleman Schermet, who lived in Kabarda...
Info: The land of Caucasus is located between the Pontic - Caspian steppe and Anatolia. Through the history it is inhabited by various nomadic populations such as Sarmatians, Scythians, Turks, Slavs, Mongolians and the native Caucasian populations such as Circassians, Georgians, Chechens, Lezgins and Armenians. Therefore, the culture of Caucasus has been affected by both nomadic and agricultural civilizations. There are historical findings that the various dances with blades were performed by Scythians since B.C.E. 2000s and later the Scythian's culture was combined with Turkic - Hunnic - Ugric cultures. After the collapse of the Mongolian Empire, the nomadic Turkic Kazakhs and Slavic Ukrainian populations have been combined. The new integrated population has been called as the Cossacks (meaning Kazakh in Slavic languages).
The blade dances of this video are some examples of Flankirovka, Khorumi and Perkhuli. Flankirovka is an art of spinning sabers (mostly Shashka) while dancing, originating from Caucasus and today performed by mostly Cossacks. Shashka is a Circassian sword and means "long knife" in Adyghe language. The music of the video is called Sinane Daxe, meaning "my mother" in Adyghe language. The performers in the video are Georgian, Ukrainian, Russian, Circassian, Tatar, Italian and French.
Note: If you are in the video and want to be mentioned or advertise your page, contact me, thus I can add your link.
Music video link : https://drive.google.com/drive..../folders/1vc-c9dprm-
cmvideos1864@gmail.com
Provided to YouTube by Kavkaz Music по лицензии ZvukM
Circassian Folk · Akhmat Batchaev · Traditional · Ахмат Батчаев
Caucasian Melodies
℗ Kavkaz Music по лицензии ZvukM
Released on: 2019-11-21
Auto-generated by YouTube.
In memorium of the deportation of the Circassians from their homelands in the Caucasus in 1864.
Aslan Alievich Daurov was a composer of Karachay-Cherkessia (July 24, 1940 - March 8, 1999), born in the village of Khabez, he lived most of his life in Cherkessk.
After graduating from high school with a silver medal, Daurov made his first creative steps at the Stavropol Musical College, where he studied in the trumpet class, and then moved to the choral conducting class.
During the years of study at the music school, Daurov tried his hand at writing. The first songs of the beginning composer were recorded on the radio and immediately attracted the attention of listeners.
Successfully launched steps in the field of composition inspired the student and he began to actively create songs for the program of the national student ensemble, which he himself led.
Working with this ensemble and creating a repertoire for it, he studied the features of the musical folklore of the peoples of the North Caucasus, which he later skillfully used in his compositions.
His first works confirmed the talent of the young musician. After graduating in 1963, Aslan successfully passes all the exams and enters the famous Moscow State Conservatory. where he was studying conducting and composing with the composer V. G. Fere.
The young musician was lucky enough to attend classes and concerts of prominent musicians like G. G. Neuhaus, M. L. Rostropovich. He studied with brilliant music teachers: N. P. Rakov, V. G. Agafonnikov, Yu. N. Kholopov and others.
After graduating, he immediately entered the graduate school at the Conservatory. During the years of study at the conservatory, Daurov actively worked in the field of composition.
The choral cycle “Five Mountain Songs” (1968) is included in the repertoire of the Moscow State Choir, which was headed by the great master of choral art V. G. Sokolov, and at the All-Union Competition for Young Composers he was awarded third place.
The chairman of the jury of this competition was the contemporary composer Sviridov. On its recommendation, literally in one day, Daurov was admitted to the Union of Composers of the USSR.
Then he returned to Cherkessk, where he taught musical and theoretical disciplines at the Circassian Musical College. In 1970 he became director of the school.
In the same year, the 30-year-old director created a folk symphony orchestra there, and at the same time headed the society of composers and melodists of Karachay-Cherkessia.
During 1970-1980, he writes symphonic and instrumental compositions, rhapsodies and vocal cycles, ballet and fantasies. Five of them received an award at the All-Union Review of Young Composers.
In 1989 Aslan Daurov created the cantata "Aul Songs".
Aslan Daurov became one of the brightest songwriters among the Adyghe authors. His songs are widely popular in Circassia, Kabarda, Adygea, Abkhazia, and throughout the Caucasus.
The well-known St. Petersburg composer Boris Tishchenko drew attention to the fact that “the apparent simplicity of A. Daurov’s music is fraught with great difficulties, as well as subtleties that you cannot see with the naked eye…”.
Daurov was the chairman of the Union of Composers of Stavropol.
He is also the author of several monographs about the life of famous composers, the book "Musical Culture of Karachay-Cherkessia".
For his great contribution to the multinational musical culture, Aslan Daurov was awarded the honorary titles "Honored Art Worker of the Russian Federation", "People's Artist of the KBR", "Honored Art Worker of the Abkhaz ASSR".
In 1990, Daurov was a laureate of the State Prize of the Russian Federation (this is the first prize of this magnitude in the entire history of the existence of not only Karachay-Cherkessia, but also the Stavropol Territory), a laureate of the State Prize of the KChR named after. Umar Alieva.
Daurov's great merit is the opening of the Karachay-Cherkess branch of the Union of Composers of the Russian Federation, which he headed from 1993 until the end of his life. He is known as a gifted conductor, the creator of a symphony orchestra in a music school. Unfortunately, with the departure of Daurov from life, the Union of Composers collapsed, and the symphony orchestra ceased to exist.
A. Daurov was the only representative of the North Caucasus (of the whole region!), who is a member of the Commission on State Prizes of the Russian Federation in the field of literature and art under the President of Russia.
The last years of his life, the composer lived in the city of Nalchik, worked as a music editor of the Kabardino-Balkarian radio broadcasting.
The image before the music is A Carousel (1920), by Boris Kustodiev, chosen by C. M for this video.
There is no copyright infringement intended. if you wish this recording to be removed, it can be done, please just let us know and the video will be removed.
Mr. Adel Bashqawi gives a short summary of the Circassians' efforts to preserve national identity and how technology and especially the Internet helped with this.
Join our FREE Circassian Online classes and learn how to read, pronounce, and write in Circassian Language! We offer Wednesday and Saturday Circassian Online Classes for FREE via ZOOM. If you want to join us visit our Facebook group page, join the group and send us a message.
Facebook group page- https://www.facebook.com/groups/adighebza
To know more about the Circassian Language please visit our website: http://www.nassip.org/
For effective learning of the Circassian Language, we are using the Teaching Proficiency through Reading and Storytelling or TPRS. It's a fun and stress-free way of learning, it focuses on the most useful vocabulary and uses gestures, visual imagery, spatial memory aid, body language, and voice inflection. PLUS There are no memorized dialogues or grammar worksheets with the TPRS method.
The CCI lecture series presents the author of Let Our Fame Be Great, Oliver Bullough.
Oliver Bullough was a Reuters Moscow correspondent, and is now Caucasus Editor for the Institute for War and Peace Reporting. His book Let Our Fame Be Great: Journeys Among the Defiant People of the Caucasus.
Let Our Fame Be Great won the Oxfam Emerging Writer Prize and was short-listed for the Orwell Prize, with prize judge James Naughtie calling it "an extraordinary book... a wonderful part-travelogue, part-history". In August 2010 Basic Books published it in the United States, where the Overseas Press Club awarded it the Cornelius Ryan Award for "best nonfiction book on international affairs".
Archive purposes only
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Хьатитэмэ Япщыналъ
Хьатитэуи тятэжъхэр
Лъэпкъыжъхэм ащыщэу
Тхыдэжъмэ къаIуатэ.
Хьатитмэ Япщыгъошхо
Хыщхо ЧIыбым щыIэу,
ЦIэрыIоу зеубгъу,
Ягъунапкъи Мысырым
Хьатитэмэ нагъэсы.
Рамзэсэу пэчъахьым
Ар ымыдэу зао къешIы.
Хьатитэуи зэолIмэ
ЯлIыгухэр мэталъэх,
Атамэхэр зэзэпкъыхэу,
Апкъыхэр пкъыехэу,
Ужъышъхьэ щэрэхъхэу,
Кутанмэ аритхэу,
ЧIэу зэрыкIорэр агъэгырзэу,
Зэогъум пчышъхьэрыкIох...
Пыим ыгуи агъэкIодэу,
ЗэкIурэми текIор щашIы.
Хьатитмэ яшIэныгъэ
Бгъу пстэумкIи лъагъэкIуатэ,
Ешыт пэчъахьэу
Фирхьаунэ Рамзэсыри
Хьатитэмэ ар къякIуи,
ЗэкIутхылъи зэдашIи,
Благъэ тIури зэрэшIыгъ.
a memoriel video clip for the Russian-Circassian war victems.